{"title":"DVD\/Blu-ray movies","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBrowse our catalog of experimental cinema on DVD, Blu-ray and VOD. Rare editions with booklets, restored prints and subtitles. From avant-garde pioneers to contemporary artists.\u003c\/p\u003e","products":[{"product_id":"agis-giannoulis-colours-in-black-and-white-2017-2018","title":"A.G : Colours in Black and White : 2017-2018","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDVD Interzone\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eOriginal format \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edigital\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eYear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2017-2018\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eArtist(s) \u003c\/span\u003e\u003cstrong\u003eAgis Giannoulis\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eRunning time \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e123 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eCOULOURS IN BACK AND WHITE I \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2017) 25' \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCOULOURS IN BACK AND WHITE II \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2017) 30\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCOULOURS IN BACK AND WHITE III \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2018) 26'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCOULOURS IN BACK AND WHITE IV \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2018) 28'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCOULOURS IN BACK AND WHITE V \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2018) 19' \u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eColours In Black \u0026amp; White\u003c\/em\u003e (DVD \/ HD AV), composed of five parts, is A.G's new audiovisual work, made between 2017 and 2018. This project is part of a \u003cem\u003eDigital Visual Music\u003c\/em\u003e approach following a linear process, combining the aesthetics of new media art and post-minimal composition, while experimenting with the boundaries between still image and moving image in relation to slow-motion music.  \u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe visuals were conceived from the transformation and multiplication of a single video signal through digital post-production, resulting in an abstract black and white video synthesis.\u003c\/p\u003e","brand":"Agis Giannoulis","offers":[{"title":"Default Title","offer_id":56788819411275,"sku":"SQ0012901","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/DVD--A.G_-_COLOURS_IN_BLACK_AND_WHITE_-_2017-2018.webp?v=1773411175"},{"product_id":"agis-giannoulis-videos-2003-2013","title":"Agis Giannoulis Videos : 2003-2013","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDVD Interzone\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eOriginal format \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edigital\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eYear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2003-2013\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eArtist(s) \u003c\/span\u003e\u003cstrong\u003eAgis Giannoulis\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eRunning time \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e51 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTHE SATELLITE MAPS OF PARIS. NETWORK IMAGE SYNTHESIS 2012\u003c\/strong\u003e (2012-14) 3'\u003cbr\u003e\u003cstrong\u003ePOLYGON:08 |14|\u003c\/strong\u003e (2013) 4'\u003cbr\u003e\u003cstrong\u003ePOLYGON:08 |2|\u003c\/strong\u003e (2011) 5'\u003cbr\u003e\u003cstrong\u003eTHE ELECTRONIC AGE\u003c\/strong\u003e (2003) 6'\u003cbr\u003e\u003cstrong\u003eVIEW FROM MY WINDOW \u003c\/strong\u003e(2003) 4'\u003cbr\u003e\u003cstrong\u003eMOVING PAINTING\u003c\/strong\u003e (2003-13) 8'\u003cbr\u003e\u003cstrong\u003eLIMEHOUSE.03\u003c\/strong\u003e (2003) 4'\u003cbr\u003e\u003cstrong\u003eRED PEOPLE\u003c\/strong\u003e (2005) 5'\u003cbr\u003e\u003cstrong\u003eT.E.O.T.M.03\u003c\/strong\u003e (2003) 5' \u003cbr\u003e\u003cstrong\u003ePARALLEL IMAGING\u003c\/strong\u003e (2003-14) 3'\u003cbr\u003e\u003cstrong\u003eTWO DANCERS\u003c\/strong\u003e (2003) 4'\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAgis Giannoulis is a Paris-based media artist. \u003cem\u003eA.G:VIDEOS:2003–2013\u003c\/em\u003e (website \/ DVD) brings together eleven video works made by A.G between 2003 and 2013 in London, Athens and Paris. Previously, he had released three studio albums in the vein of contemporary, minimalist and neo-classical music, under the names ANIKA and A.G. His artistic research focuses primarily on contemporary music and electronic arts.  \u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eHe studied graphic arts, music technology and digital arts in the United Kingdom. Currently, he is interested in the viewer's experience in the new context of interactive arts in the digital age. He has collaborated with the organization Free103Point9 Transmission Arts by participating in the \u003cem\u003eNoise!2009\u003c\/em\u003e festival (Ontological Hysteric Theater) in New York, and has also taken part in various group exhibitions where he presented musical and video works.\u003c\/p\u003e","brand":"Agis Giannoulis","offers":[{"title":"Default Title","offer_id":56788819444043,"sku":"SQ8617365","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/DVD--A.G._-_VIDEOS_-_2003-2013.webp?v=1773411176"},{"product_id":"analogies-vod","title":"Analogies","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format\u003cstrong\u003e\u003cspan\u003e 16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e\u003cspan\u003e 1970-2013\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003ePeter Rose\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 186 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBABEL \u003c\/strong\u003e(1987) 17'\u003cbr\u003e\u003cstrong\u003eANALOGIES: STUDIES IN THE MOVEMENT OF TIME \u003c\/strong\u003e(1977) 14'\u003cbr\u003e\u003cstrong\u003eDIGITAL SPEECH \u003c\/strong\u003e(1984) 13'\u003cbr\u003e\u003cstrong\u003eTHE GEOSOPHIST'S TEARS \u003c\/strong\u003e(2002) 8'\u003cbr\u003e\u003cstrong\u003eINCANTATION \u003c\/strong\u003e(1970) 9'\u003cbr\u003e\u003cstrong\u003eMETALOGUE \u003c\/strong\u003e(1996) 3'\u003cbr\u003e\u003cstrong\u003eODYSSEUS IN ITHACA \u003c\/strong\u003e(2006) 5'\u003cbr\u003e\u003cstrong\u003eOMEN \u003c\/strong\u003e(2001) 10'\u003cbr\u003e\u003cstrong\u003ePNEUMENON \u003c\/strong\u003e(2003) 4'\u003cbr\u003e\u003cstrong\u003eROTARY ALMANAC \u003c\/strong\u003e(2000) 4'\u003cbr\u003e\u003cstrong\u003ePRESSURES OF THE TEXT \u003c\/strong\u003e(1983) 17'\u003cbr\u003e\u003cstrong\u003eSECONDARY CURRENTS \u003c\/strong\u003e(1982) 15'\u003cbr\u003e\u003cstrong\u003eSOLARISTICS \u003c\/strong\u003e(2013) 10'\u003cbr\u003e\u003cstrong\u003eSTUDIES IN TRANSFALUMINATION \u003c\/strong\u003e(2008) 5'\u003cbr\u003e\u003cstrong\u003eSTUDY IN DIACHRONIC MOTION \u003c\/strong\u003e(1970) 3'\u003cbr\u003e\u003cstrong\u003eTHE MAN WHO COULD NOT SEE FAR ENOUGH \u003c\/strong\u003e(1981) 32'\u003cbr\u003e\u003cstrong\u003eUNDERSTORY \u003c\/strong\u003e(1997) 8'\u003cbr\u003e\u003cstrong\u003eSPIRIT MATTERS \u003c\/strong\u003e(1984) 6'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"I consider myself an escape artist. I hope to be able to travel in the fifth dimension, speak unknown languages, discover the next step in the evolution of thought. I build structural parables suggesting that the universe goes beyond what we can explain about it.\"\u003c\/span\u003e\u003cbr\u003e— \u003cspan\u003ePeter Rose\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"One of the characteristics of Peter Rose's work is its scrutiny of the ability of cinema and video to create inherent and often paradoxical meanings without necessarily resorting to narration. Regardless of the chosen medium (video, computer, cinema, performance, etc.), his work compromises the idea of communication by disrupting the different systems put in place for each film or video. Through the proliferation, repetition, multiplication, and segmentation of images, texts, discourses, or alphabets, he explores our capacity to produce a unique meaning.\"\u003c\/span\u003e\u003cbr\u003e— \u003cspan\u003eYann Beauvais\u003c\/span\u003e\u003ca href=\"https:\/\/vimeo.com\/ondemand\/peterrose\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Peter Rose","offers":[{"title":"Default Title","offer_id":56788821901643,"sku":"SQ6102108","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_rose-analogies-vod.webp?v=1773411182"},{"product_id":"andre-kertesz","title":"A Profile of André Kertész","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003eHD\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1989\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eCornell Capa, André Kertész\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 28 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eA PROFILE OF ANDRÉ KERTÉSZ \u003c\/strong\u003e(1989) 28'\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAndré Kertész, \"the father of 35mm photography,\" was born in Hungary in 1894 and lived in Paris during the 1920s-1930s. His work embodied the spirit of what the world now calls candid photography: personal, mobile, captured in the moment. \"We owe him a great deal,\" declared Henri Cartier-Bresson.\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThis documentary presents Kertész in his own words, explaining his photos and sharing his memories. Kertész takes us through his archives and into the streets of his New York to watch him photograph his beloved city.\u003c\/p\u003e","brand":"André Kertész","offers":[{"title":"Default Title","offer_id":56788822032715,"sku":"SQ3438038","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--creative-arts-television-a-profile-of-andre-kertesz.webp?v=1773411184"},{"product_id":"ange-vod","title":"L'Ange","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1982\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003ePatrick Bokanowski \u003c\/strong\u003e\u003cbr\u003eRunning time\u003cstrong\u003e 70 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eL' ANGE\u003c\/strong\u003e (1982) 70'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003eL'Ange\u003c\/em\u003e is a complex masterpiece like a Divine (and very human) Comedy. This film, which screened uninterrupted in a Tokyo theater for nearly ten years (like Cocteau's Le Sang d'un poète in New York during the 1950s), has given audiences worldwide one of their cult works, as they say, for lovers of lightning cinema—that is, cinema that bewitches and deeply moves.\"\u003cbr\u003e— Dominique Noguez\u003c\/p\u003e\n\u003cp style=\"text-align: start; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Upon its release, the film caused a sensation. Its technical mystery, hypnotic power, and the connections it seems to maintain with famous images from art history (Vermeer and more broadly Dutch painting, Dürer and his representations of perspectival mastery) made a strong impression.\"\u003cbr\u003e— Dominique Païni, \u003cem\u003eArt Press\u003c\/em\u003e\u003ca href=\"https:\/\/vimeo.com\/ondemand\/lange\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Patrick Bokanowski","offers":[{"title":"Default Title","offer_id":56788822065483,"sku":"SQ6712755","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_bokanowski-ange-vod.webp?v=1773411185"},{"product_id":"anger-3-films-vod","title":"Mouse Heaven \/ Foreplay \/ Elliott's Suicide","description":"\u003cp class=\"p1\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e\u003cspan\u003eVOD\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003evideo\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eYear \u003cstrong\u003e2014\u003c\/strong\u003e\u003cbr\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eKenneth Anger\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eRunning time\u003cstrong\u003e\u003cspan\u003e 32 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"p1\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eMOUSE HEAVEN \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2004) 10'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFOREPLAY \u003c\/strong\u003e(2004) 07'\u003cbr\u003e\u003cstrong\u003eELLIOTT'S SUICIDE \u003c\/strong\u003e(2004) 15'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"p1\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eMouse Heaven\u003c\/em\u003e runs twelve minutes and features mostly worn, damaged Mickey Mouse objects from the Great Depression era: long shots show hundreds of sad-eyed Mickeys, antique wooden Mickeys, creepy puppets, Mickeys against dark, unsettling red backgrounds, behind display cases, on vivid purple screens, dancing and spinning on platforms to the sound of \"I'm Your Puppet\" (1966) by James and Bobby Purify. It's an overload of mice, and a commentary on the power of the Disney brand, or any brand, the dolls parading like soldiers in symmetrical patterns.\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e— \"\u003c\/span\u003eNew Films from Kenneth Anger\", Mary Hanlon (\u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp class=\"my-0\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eForeplay\u003c\/em\u003e: It took Kenneth Anger to transform footage of a male amateur football team warming up before practice into seven steamy, sexy, homoerotic minutes. You rarely see a full figure in Foreplay, but rather fragments of sweaty muscles, well-defined hips, and sculpted calves kicking the ball, producing flesh sounds over a techno soundtrack.\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e— \"\u003c\/span\u003eNew Films from Kenneth Anger\", Mary Hanlon (\u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp class=\"my-0\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eElliott's Suicide\u003c\/em\u003e pays tribute to American singer-songwriter Elliott Smith, in a sentimental 15-minute film, devoid of Anger's usual irony for obvious reasons. The film begins with images of the last words from friends and fans inscribed on Smith's memorial on Sunset Boulevard, then continues with footage from the Macy's parade, lingering on participants in strange costumes: some in Renaissance attire, cowboys with lassos, and beauty queens.\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e— \"\u003c\/span\u003eNew Films from Kenneth Anger\", Mary Hanlon (\u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e)\u003ca href=\"https:\/\/vimeo.com\/ondemand\/kennethanger\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Kenneth Anger","offers":[{"title":"Default Title","offer_id":56788822098251,"sku":"SQ2515493","price":4.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_anger-3-films-vod.webp?v=1773411185"},{"product_id":"anger-magick-lantern-cycle","title":"Magick Lantern Cycle","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e1 x Blu-ray Interzone, 2 x DVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1947-1981\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eKenneth Anger\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 186 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFIREWORKS \u003c\/strong\u003e(1947)\u003cbr\u003e\u003cstrong\u003ePUCE MOMENT \u003c\/strong\u003e(1949)\u003cbr\u003e\u003cstrong\u003eRABBIT'S MOON \u003c\/strong\u003e(1950\/1971, 16' version)\u003cbr\u003e\u003cstrong\u003eEAUX D'ARTIFICE \u003c\/strong\u003e(1953)\u003cbr\u003e\u003cstrong\u003eINAUGURATION OF THE PLEASURE DOME \u003c\/strong\u003e(1954)\u003cbr\u003e\u003cstrong\u003eSCORPIO RISING \u003c\/strong\u003e(1964)\u003cbr\u003e\u003cstrong\u003eKUSTOM KAR KOMMANDOS \u003c\/strong\u003e(1965)\u003cbr\u003e\u003cstrong\u003eINVOCATION OF MY DEMON BROTHER \u003c\/strong\u003e(1969)\u003cbr\u003e\u003cstrong\u003eRABBIT'S MOON \u003c\/strong\u003e(1979 version)\u003cbr\u003e\u003cstrong\u003eLUCIFER RISING \u003c\/strong\u003e(1981)\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eNewly recorded commentary by Kenneth Anger\u003cbr\u003e\u003cstrong\u003eTHE MAN WE WANT TO HANG\u003c\/strong\u003e (2002) - Anger's film on the paintings of Aleister Crowley\u003cbr\u003eShort film on the restoration (2009, 1080p\/24 HD)\u003cbr\u003e\u003cstrong\u003eANGER ME \u003c\/strong\u003e(Elio Gelmini, 2006, PAL 16x9 anamorphic)\u003cbr\u003eFully illustrated booklet with essays and sketches\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eKenneth Anger, famous author of the scandalous bestseller \u003cem\u003eHollywood Babylon\u003c\/em\u003e, is a living legend. The mythology surrounding him draws from many sources, including his involvement in the occult, astrology and the pop world with figures such as Mick Jagger, Marianne Faithfull and Jimmy Page; the announcement of his own death in the pages of the \u003cem\u003eVillage Voice\u003c\/em\u003e; as well as the destruction, loss and banning of his films.\u003cbr\u003eAt the heart of all this mythology is a filmmaker of prodigious talent, whose skill and imagination have created films of great visual power, influencing directors like Martin Scorsese, David Lynch and Rainer Werner Fassbinder.\u003c\/p\u003e","brand":"Kenneth Anger","offers":[{"title":"Default Title","offer_id":56788822131019,"sku":"SQ6170558","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Magick_Lantern.webp?v=1773411186"},{"product_id":"angerame-cityscapes","title":"Cityscapes","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1982-2010\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eDominic Angerame\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 119 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eA TICKET HOME \u003c\/strong\u003e(1982) 11'\u003cbr\u003e\u003cstrong\u003eI'D RATHER BE IN PARIS \u003c\/strong\u003e(1982) 17'\u003cbr\u003e\u003cstrong\u003eHONEYMOON IN RENO \u003c\/strong\u003e(1984) 8'\u003cbr\u003e\u003cstrong\u003eCONTINUUM \u003c\/strong\u003e(1987) 15'\u003cbr\u003e\u003cstrong\u003eDECONSTRUCTION SIGHT \u003c\/strong\u003e(1990) 12'\u003cbr\u003e\u003cstrong\u003ePREMONITION \u003c\/strong\u003e(1995) 10'\u003cbr\u003e\u003cstrong\u003eLINE OF FIRE \u003c\/strong\u003e(1997) 8'\u003cbr\u003e\u003cstrong\u003eIN THE COURSE OF HUMAN EVENTS\u003c\/strong\u003e (1997) 23'\u003cbr\u003e\u003cstrong\u003eTHE SOUL OF THINGS \u003c\/strong\u003e(2010) 15'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"And in the midst of it all—the streets, the bridges, the roads, the rooftops, the endless river of communication cables and the glassy monoliths of the protruding superstructure—there is man. The film is like a dream that one cannot put one's finger on and cannot forget, so elusive, suggestive, labyrinthine is truth itself. And then one realizes that the very fact of life is heroic.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eRonald Sauer\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"The concrete world of American infrastructure and its disappearance are rendered strangely poetic in this expressionist documentary that shows San Francisco's Embarcadero Freeway before its destruction. In an atmosphere of daylight and mystery, Angerame plants clues and reveals the past encircled by the future. Lyrical, unsettling, comic, Premonition acts on the attentive viewer like a memory of something about to happen, a silent and revealing waking dream.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eBarbara Jaspersen Voorhees\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"... the images from \u003cem\u003eContinuum\u003c\/em\u003e certainly haunt me. I was astonished to find how much the film does not evoke the time in which it was made, nor even the place where it was shot. I tended to forget that it was about City-chores, rooftop work, etc.: just work, the continuity of work, timeless and continuous, yet inexorable. Bravo.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eStan Brakhage\u003c\/p\u003e","brand":"Dominic Angerame","offers":[{"title":"Default Title","offer_id":56788822163787,"sku":"SQ4512620","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Cityscapes.webp?v=1773411187"},{"product_id":"anticipation-of-the-night","title":"Anticipation of the Night","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e\u003cspan\u003eBlu-ray Interzone\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1958\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eStan Brakhage\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 40 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFilms\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eANTICIPATION OF THE NIGHT \u003c\/strong\u003e(1958) 40'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDescription\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"The great achievement of \u003cem\u003eAnticipation of the Night\u003c\/em\u003e is to have succeeded in distilling an intense and complex inner crisis through an orchestration of views and associations coexisting within a new formal rhetoric of movement and editing.\"\u003cbr\u003e— P. Adams Sitney\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Brakhage's work offers an eloquent and deeply moving alternative to Western consumer culture. He abjures preconceived emotions, predictable formulas, and 'beautiful images.' His films cannot be reduced to a simple summary or message, as each viewer will necessarily have a different experience of them. The engaged viewer is removed from the mindset in which watching a scene or a shot consists of desiring it, coveting it, thinking you understand it, and wanting to possess it: instead, Brakhage asks for both more and less at the same time—He asks you to dance with him.\"\u003cbr\u003e— Fred Camper\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Brakhage's death is an irreparable loss but also the opportunity for a new beginning. There was no catching up with Brakhage when he was alive but, now perhaps, we can begin to discover and understand the full breadth and depth of his incredible cinematic legacy.\"\u003cbr\u003e— Scott MacDonald\u003c\/p\u003e","brand":"Stan Brakhage","offers":[{"title":"Default Title","offer_id":56788822262091,"sku":"SQ7558524","price":26.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--anticipation.webp?v=1773411189"},{"product_id":"anticipation-of-the-night-vod","title":"Anticipation of the Night","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eFormat \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1958\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eStan Brakhage\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 40 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eANTICIPATION OF THE NIGHT \u003c\/strong\u003e(1958) 40'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"The great achievement of \u003cem\u003eAnticipation of the Night\u003c\/em\u003e is to have successfully distilled an intense and complex interior crisis through an orchestration of views and associations coexisting within a new formal rhetoric of movement and editing.\"\u003cbr\u003e— P. Adams Sitney\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Brakhage's work offers an eloquent and deeply moving alternative to Western consumer culture. He abjures preconceived emotions, predictable formulas, and 'beautiful images.' His films cannot be reduced to a simple summary or message, as each viewer will necessarily have a different experience of them. The engaged viewer is removed from the mindset in which watching a scene or shot consists of desiring it, coveting it, thinking you understand it, and wanting to possess it: instead, Brakhage asks for both more and less at the same time—He asks you to dance with him.\"\u003cbr\u003e— Fred Camper\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Brakhage's death is an irreparable loss but also the opportunity for a new beginning. There was no catching up with Brakhage when he was alive but, now perhaps, we can begin to discover and understand the full breadth and depth of his incredible cinematic legacy.\"\u003cbr\u003e— Scott MacDonald\u003ca href=\"https:\/\/vimeo.com\/ondemand\/anticipationofthenight\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Stan Brakhage","offers":[{"title":"Default Title","offer_id":56788822294859,"sku":"SQ7611663","price":7.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_brakhage-anticipation-of-the-night-vod.webp?v=1773411190"},{"product_id":"arf-arf","title":"Arf Arf","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDVD PAL\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eOriginal format \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuper 8, 16mm, VHS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eYear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1985-1993\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eArtist(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMarisa Stirpe, Frank Lovece, Michael Buckley, Marcus Bergner, Bob Cobbing \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eARF ARF Collective\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eRunning time \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e61 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eARF ARF \/ 85 - Arf Arf\u003cbr\u003eVHS, 12', b\u0026w, 1985\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eTHREAD OF VOICE - Arf Arf\u003cbr\u003e16mm, 19', b\u0026w, 1993 (with Bob Cobbing)\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eTHE BROKEN JUG - Frank Lovece and Marisa Stirpe\u003cbr\u003eVHS, 4', color, 1983\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDOPPELGANGER FILMS - Marcus Bergner\u003cbr\u003eSuper 8, 14', color, 1985\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eWORK - Michael Buckley\u003cbr\u003e16mm, 12', color, 1986\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eEdition of 500 copies.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eA collective of Australian artists, sound poets, and filmmakers, ARF ARF comprises Marisa Stirpe, Frank Lovece, Michael Buckley, and Marcus Bergner. Between 1985 and 2000, the group produced hundreds of performances in Australia and Europe. The film \"Thread of Voice\" (with Bob Cobbing \/ Konkrete Canticle) has been shown worldwide: at the Serpentine Gallery (London), Centre Pompidou (Paris), Arsenal Kino (Berlin), Millennium (New York), and the museums of modern art in Warsaw and Sydney, among others.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eContains 62-page booklet. Texts in English.\u003c\/p\u003e","brand":"Marisa Stirpe, Frank Lovece, various","offers":[{"title":"Default Title","offer_id":56788822327627,"sku":"SQ9819308","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/arf.webp?v=1773411191"},{"product_id":"arrietta-coffret-de-6-dvds","title":"Les films d'Adolpho Arrietta","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e5 x DVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm, 16mm, 8mm, DV\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1965-2008\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish, French, Spanish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eAdo Arrietta\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish, French, Spanish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 495 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003ePOINTILLY \u003c\/strong\u003e(1972) 39'\u003cbr\u003e\u003cstrong\u003eFLAMMES \u003c\/strong\u003e(1978) 82'\u003cbr\u003e\u003cstrong\u003eTAM TAM \u003c\/strong\u003e(1976) 57'\u003cbr\u003e\u003cstrong\u003eLES INTRIGUES DE SYLVIA COUSKI \u003c\/strong\u003e(1974) 71'\u003cbr\u003e\u003cstrong\u003eVACANZA PERMANENTE \u003c\/strong\u003e(2006) 29'\u003cbr\u003e\u003cstrong\u003eECO Y NARCISSO \u003c\/strong\u003e(2003) 19'\u003cbr\u003e\u003cstrong\u003eDRY MARTINI \u003c\/strong\u003e(2008) 7'\u003cbr\u003e\u003cstrong\u003eMERLIN \u003c\/strong\u003e(1990) 58'\u003cbr\u003e\u003cstrong\u003eGRENOUILLES \u003c\/strong\u003e(1984) 35'\u003cbr\u003e\u003cstrong\u003eKIKI \u003c\/strong\u003e(1989) 22'\u003cbr\u003e\u003cstrong\u003eEL CRIMEN DE LA PIRINDOLA \u003c\/strong\u003e(1965) 18'\u003cbr\u003e\u003cstrong\u003eLA IMITACIÓN DEL ÁNGEL \u003c\/strong\u003e(1966) 21'\u003cbr\u003e\u003cstrong\u003eLE JOUET CRIMINEL \u003c\/strong\u003e(1969) 36'\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFrom his early short films shot in Madrid in the 1960s, his first features made in Paris in the 1970s, his critically acclaimed\u003c\/span\u003e\u003cem\u003e Flammes\u003c\/em\u003e\u003cspan\u003e (reissued in Paris this spring by Capricci), as well as\u003c\/span\u003e\u003cem\u003e Grenouilles\u003c\/em\u003e\u003cspan\u003e and\u003c\/span\u003e\u003cem\u003e Merlin\u003c\/em\u003e\u003cspan\u003e, more ambitious but rarely seen, and up to his recent personal essays shot on digital; the works of Adolpho Arrietta span a multitude of styles and themes, offering a singular grace, a poetic sensibility and a sharp eye refreshing in its composition, rhythm and original characters. The box set includes five DVDs with booklets, critical texts and new introductions to the films, which are subtitled in English, French and Spanish. Each of the thirteen films made by Arrietta between 1965 and 2008 are edited with the director's most recent cut, and remastered from the best available sources.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ado Arrietta","offers":[{"title":"Default Title","offer_id":56788822393163,"sku":"SQ1205826","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Les_films_d_27Adolpho_Arrietta.webp?v=1773411192"},{"product_id":"arrietta-la-trilogie-de-l-ange","title":"La Trilogie de l'Ange","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1965-1969\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench, Spanish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eAdolpho Arrietta\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench, English, Spanish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 75 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eEL CRIMEN DE LA PIRINDOLA\u003c\/strong\u003e\u003cspan\u003e (1965) 18'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLA IMITACION DEL ANGEL\u003c\/strong\u003e\u003cspan\u003e (1966) 21'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJOUET CRIMINEL\u003c\/strong\u003e\u003cspan\u003e (1969) 37'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"A young Spaniard outside any system, any faction, any influence, shoots on 16mm (since cinema for him could never be a profession) heartbreaking and serene deliriums in which one reads, better than in any indictments, the state of mind of a generation for whom poetry is today the only refuge and the only viable struggle...\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e— Jean-André Fieschi, \u003c\/span\u003e\u003cem\u003eCahiers du Cinéma\u003c\/em\u003e\u003cspan\u003e, 1964\u003c\/span\u003e\u003c\/p\u003e","brand":"Ado Arrietta","offers":[{"title":"Default Title","offer_id":56788822425931,"sku":"SQ1504581","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--La_Trilogie_de_l_27Ange.webp?v=1773411192"},{"product_id":"arrietta-merlin-grenouilles-kiki","title":"Merlin \/ Grenouilles \/ Kiki","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm, 16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1984-1990\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench, Spanish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eAdolpho Arrietta\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSous-titres \u003cstrong\u003e\u003cspan\u003eFrench, English, Spanish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 113 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eMERLIN \u003c\/strong\u003e\u003cspan\u003e\/ 1990 \/ 58'\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003eGRENOUILLES \u003c\/strong\u003e\u003cspan\u003e\/ 1984 \/ 35'\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003eKIKI\u003c\/strong\u003e\u003cspan\u003e \/ 1989 \/ 22'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003eGrenouilles\u003c\/em\u003e: On an island in the middle of the ocean live men and frog-women. Nora, a beautiful Russian spy, wants to avenge the betrayal of her lover, the artist Tibor. There is also a Unesco spy, a mysterious exterminator plotting the end of the world, and a gang of thieves disguised as frog-men… \u003cem\u003eKiki\u003c\/em\u003e: A man and his cat. \u003cem\u003eMerlin\u003c\/em\u003e: An adaptation of Jean Cocteau's play \u003cem\u003eLes Chevaliers de la table ronde\u003c\/em\u003e, in which Adolpho Arrietta plays the role of Merlin.\"\u003cbr\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eCapricci\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"I don't know if it comes from Cocteau or from the Round Table, or from the interlacing of these readings, but with Arrietta, the tale (not the theater) embraces legend on the lips, and we can barely find our bearings. Let's rather say that Cocteau's theatrical, almost childlike magic, his play with doubles and his cheerful syncretism find in Arrietta not an enthusiastic exegete or scrupulous copyist, but an apprentice-inventor, a rascal as serious as an antipope, a perfect Ginifer, ultimately, that little demon to whom Merlin has \u003cem\u003ethe power to give whatever form he wants and whom he trains for his own use\u003c\/em\u003e.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003ePierre Léon, \u003cem\u003eCinéma n°14\u003c\/em\u003e\u003c\/p\u003e","brand":"Ado Arrietta","offers":[{"title":"Default Title","offer_id":56788822458699,"sku":"SQ2581140","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Merlin_3A_Grenouilles_3A_Kiki.webp?v=1773411193"},{"product_id":"arrietta-pointilly-flammes","title":"Pointilly \/ Flammes","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1972-1978\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eAdolpho Arrietta\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish, Spanish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 121 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFLAMMES\u003c\/strong\u003e (1978) 82'\u003cbr\u003e\u003cstrong\u003ePOINTILLY\u003c\/strong\u003e\u003cspan\u003e (1972) 39'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Disorderly, underground, escaping the standards of commercial cinema, Arrietta's work gravitates around a film of a much more classical nature than the others, \u003cem\u003eFlammes\u003c\/em\u003e, which is also his masterpiece. \u003cem\u003eFlammes\u003c\/em\u003e occupies a place comparable to that of Chelsea Girls in Andy Warhol's work: a jewel that would feature majestically in the classic histories of cinema if their authors' names were not so radically associated with the margins.\"\u003cbr\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eIsabelle Regnier, \u003cem\u003eLe Monde\u003c\/em\u003e\u003c\/p\u003e","brand":"Ado Arrietta","offers":[{"title":"Default Title","offer_id":56788823015755,"sku":"SQ4443101","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Pointilly_3A_Flammes.webp?v=1773411194"},{"product_id":"arrietta-tam-tam-les-intrigues-de-sylvia-couski","title":"Tam Tam \/ Les intrigues de Sylvia Couski","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1974-1976\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eSpanish, French\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eAdolpho Arrietta\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish, Spanish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 128 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eLES INTRIGUES DE SYLVIA COUSKI \u003c\/strong\u003e(1974) 71'\u003cbr\u003e\u003cstrong\u003eTAM TAM \u003c\/strong\u003e(1976) 57'\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"In the wake of May '68, Arrietta became the first underground filmmaker. His fairy-tale universe is populated with new angels: his transvestite friends, the Gazolines, who would become the heroines of \u003cem\u003eLes Intrigues de Sylvia Couski\u003c\/em\u003e (1974) and \u003cem\u003eTam-Tam\u003c\/em\u003e (1976). The themes of Arrietta's cinema come into focus: artists dream of becoming works of art themselves, the body is envisioned as the site of new creation, identity is invented from scratch.\"\u003cbr\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eCapricci\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003eTam-Tam\u003c\/em\u003e reveals desires and repressions through a subversion of social archetypes (ambassadors, stars, artists) and sexual ones (homophiles, transvestites, transsexuals), converting them into a razor-sharp testimony on a certain form of unease: the crisis of identity. [...] Arrietta offers a dazzling vision of these micro-universes apprehended from within, from the very place of their oppression: an admirable example of cinéma-vérité revisited and corrected by a tireless pursuit of expressive means.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eRaphaël Bassan, \u003cem\u003eCinéma Différent\u003c\/em\u003e\u003c\/p\u003e","brand":"Ado Arrietta","offers":[{"title":"Default Title","offer_id":56788823048523,"sku":"SQ0650261","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Tam_Tam_3A_Les_intrigues_de_Sylvia_Couski.webp?v=1773411195"},{"product_id":"arrietta-vacanca-permanente-eco-y-narciso-dry-martini","title":"Vacança permanente \/ Eco y Narciso \/ Dry Martini","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003eDV\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e2003-2008\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench, Spanish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eAdolpho Arrietta\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench, English\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 55 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eECO Y NARCISO\u003c\/strong\u003e\u003cspan\u003e (2003) 19'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eVACANZA PERMANENTE\u003c\/strong\u003e\u003cspan\u003e (2006) 29'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDRY MARTINI\u003c\/strong\u003e\u003cspan\u003e (2008) 7'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"Over the decades, we see Arrietta's cinematography gain in confidence, but also in pessimism. \u003c\/span\u003e\u003cem\u003eVacanza permanente\u003c\/em\u003e\u003cspan\u003e is a test of solitude: Paris was a feast, Madrid no longer is; a solitude always made of comings and goings (the shot of Cocteau's angel in \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eLe Testament d'Orphée\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e reappears, as it did forty years earlier, in l'Imitation de l'ange). Arrietta organizes the uncertain, the half-light, and the mind fixes on chimeras that end up, sooner or later, materializing. One imagines his pictorial work, for Arrietta began as a painter before making films—it's up to us to invent his apartment as a cabinet of curiosities: \u003c\/span\u003e\u003cem\u003eVacanza permanente\u003c\/em\u003e\u003cspan\u003e offers a composition of it.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ePhilippe Fauvel, \u003c\/span\u003e\u003cem\u003eVertigo\u003c\/em\u003e\u003cspan\u003e n°39\u003c\/span\u003e\u003c\/p\u003e","brand":"Ado Arrietta","offers":[{"title":"Default Title","offer_id":56788823114059,"sku":"SQ2853373","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Vacanc_CC_A7a_permanente_3A_Eco_y_Narciso_3A_Dry_Martini.webp?v=1773411196"},{"product_id":"artist-on-fire-the-work-of-joyce-wieland","title":"Artist On Fire: The Work of Joyce Wieland","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDVD Interzone\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eOriginal format \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eYear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1987\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eArtist(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKay Armatage\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRunning time \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e54 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eARTIST ON FIRE: THE WORK OF JOYCE WIELAND\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (1987) 54'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eJoyce Wieland was, for more than thirty years, one of Canada's most exciting and innovative artists. She worked in virtually every artistic medium: fabric works, pastels, colored pencils, oils, bronze, watercolors, and films in all formats. A founding member of the so-called \"structural\" filmmakers' group in New York in the late 1960s, she was also one of the first artists of the century to invest traditional women's crafts as an art form, using both film and textiles as platforms for her primary political themes: ecology, Canadian nationalism, and feminism.\u003c\/p\u003e","brand":"Joyce Wieland","offers":[{"title":"Default Title","offer_id":56788823179595,"sku":"SQ3166886","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Artist_on_Fire_-_The_Work_of_Joyce_Wieland.webp?v=1773411197"},{"product_id":"australian-icons-vod","title":"Australian Icons","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format\u003cstrong\u003e\u003cspan\u003e 16 mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e\u003cspan\u003e 1977-1981\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e\u003cspan\u003e English\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003ePaul Winkler\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 92 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eSYDNEY HARBOUR BRIDGE\u003c\/strong\u003e\u003cspan\u003e (1977) 12'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eBONDI\u003c\/strong\u003e\u003cspan\u003e (1979) 14'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAYERS ROCK\u003c\/strong\u003e\u003cspan\u003e (1981) 19'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTIME OUT FOR SPORT\u003c\/strong\u003e\u003cspan\u003e (1996) 18'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eROTATION\u003c\/strong\u003e\u003cspan\u003e (1998) 17'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eBONUS © Paul Winkler\u003c\/strong\u003e\u003cspan\u003e (2005)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"Making films has always been for me a journey into the unknown. Each new film has its own trajectory. It can start with an idea and upon seeing the first rushes, the images tell me where to go or not to go. There is always a kind of tension between me and the photographed material. Something emerges. If all goes well, if the images connect with me and if I can almost hear the sound they want, there is a terrible joy that runs through me, body and mind. Incredible. To sum up: my approach to filming is first and foremost organic. Films are an intellectual and emotional synthesis filtered through the material. I try to let the images flow freely to the surface.\"\u003c\/span\u003e\u003cbr\u003e— \u003cspan\u003ePaul Winkler\u003c\/span\u003e\u003ca href=\"https:\/\/vimeo.com\/ondemand\/paulwinkler\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Paul Winkler","offers":[{"title":"Default Title","offer_id":56788823310667,"sku":"SQ6771512","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_winkler-australian-icons-vod.webp?v=1773411199"},{"product_id":"bachmann-underground-new-york","title":"Underground New York","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1968\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eGideon Bachmann\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 52 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 125 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eUNDERGROUND NY \u003c\/strong\u003e(1968) 88'\u003cbr\u003e\u003cstrong\u003eJONAS\u003c\/strong\u003e\u003cspan\u003e by Gideon Bachmann (1968) 31'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eWALDEN\u003c\/strong\u003e\u003cspan\u003e (excerpt) by Jonas Mekas (1968) 6'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"New York in the late sixties. An unprecedented dive into the bubbling New York underground, a time and place that would forever change the face of American culture. A German television crew, led by journalist Gideon Bachmann, explores the epicenter of the artistic, musical, poetic and cinematic revolution of the sixties, interviewing the main figures of the \"New American Cinema\" born in the streets of New York. Against a backdrop of widespread cultural upheaval and growing political protest against the Vietnam War, Bachmann talks with the leading figures of \"underground cinema,\" including Jonas Mekas, Shirley Clarke, the Kuchar brothers, and Bruce Conner. Not to mention a visit to the Mecca of the New York art scene of the time, Andy Warhol's Factory, to interview the Pop Art genius himself.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e— Scott Hammen\u003c\/span\u003e\u003c\/p\u003e","brand":"Gideon Bachmann","offers":[{"title":"Default Title","offer_id":56788823376203,"sku":"SQ0866722","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Underground_New_York.webp?v=1773411200"},{"product_id":"bard-detruisez-vous","title":"Détruisez-vous","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1968\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eSerge Bard\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e Alain Jouffroy, Philippe Azoury\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish, German, Spanish, Italian\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 44 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 88 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDÉTRUISEZ-VOUS\u003c\/strong\u003e (1968) 70'\u003cbr\u003e\u003cstrong\u003eSOUVENIRS D'UN TOURNAGE\u003c\/strong\u003e\u003cspan\u003e by Jackie Raynal (2007) 18'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFirst film by the Zanzibar group, shot by Serge Bard in April 1968, engaging with the cinema and events of the late sixties,\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eDétruisez-vous\u003c\/em\u003e\u003cspan\u003e, whose title references a graffiti of the time. \"Help us: destroy yourself\" is a film shot guerrilla-style, outside all rules, defying the commercial chain. Once and for all. A professor preaches revolution to his students.\u003c\/span\u003e\u003c\/p\u003e","brand":"Serge Bard","offers":[{"title":"Default Title","offer_id":56788823540043,"sku":"SQ0652533","price":22.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--De_CC_81truisez-vous.webp?v=1773411202"},{"product_id":"bard-fun-and-games-for-everyone","title":"Fun and Games For Everyone","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1968\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eSerge Bard\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e Serge Bard, Jackie Raynal\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 16 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 57 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFUN AND GAMES FOR EVERYONE\u003c\/strong\u003e (1968) 54'\u003cbr\u003e\u003cstrong\u003eUN FILM PORNO\u003c\/strong\u003e\u003cspan\u003e by Olivier Mosset (1968) 3'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003eFun and Games (for Everyone)\u003c\/em\u003e, a film of inky black and milky white recorded live during the opening of an exhibition by Olivier Mosset. Under a psychedelic improvisation, the Zanzibar group, Salvador Dalí, Barbet Schroeder, Jean Mascolo cross paths in a solarized image, thick as a brushstroke...\"\u003cbr\u003e— Philippe Azoury\u003c\/p\u003e\n\u003cp style=\"text-align: start; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"In this second film, Bard once again gives free rein to the incessant comings and goings of Parisians attending the opening of minimalist painter Olivier Mosset, whose exhibition consists of 10 canvases, all similar, white with black circles painted at their center. It's the revolution critiquing art and painting... And Serge critiquing Cinema!\"\u003cbr\u003e— Jackie Raynal\u003c\/p\u003e","brand":"Serge Bard","offers":[{"title":"Default Title","offer_id":56788823572811,"sku":"SQ7738267","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Fun_and_Games_For_Everyone.webp?v=1773411203"},{"product_id":"bard-ici-et-maintenant","title":"Ici et maintenant","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1968\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eSerge Bard\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e Patrick Deval, Henri Alekan\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 28 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 134 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eICI ET MAINTENANT\u003c\/strong\u003e (1968) 71'\u003cbr\u003e\u003cstrong\u003eVITE\u003c\/strong\u003e by Daniel Pommereulle (1969) 34'\u003cbr\u003e\u003cstrong\u003eZANZIBAR\u003c\/strong\u003e by Jackie Raynal (2005) 29'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn this year of '68, Serge Bard made three films in succession: \u003cem\u003eDétruisez-vous\u003c\/em\u003e, \u003cem\u003eFun \u0026amp; Games for Everyone\u003c\/em\u003e and \u003cem\u003eIci et Maintenant\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: start; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003eIci et Maintenant\u003c\/em\u003e is the reveries of the solitary walker after the revolution... The moralist no longer disrupts anything at all, no, he takes his pulse, he listens to the world, perhaps even vibrates with it and rejoices in concert. The filmmaker stands there, stiff as the statue of the commander, watchman of the phenomena that unfold before him, this lighthouse whose rectitude Bard films magnificently in a pitch-black night, a hallucinatory optic against all odds.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003ePatrick Deval\u003c\/p\u003e","brand":"Serge Bard","offers":[{"title":"Default Title","offer_id":56788823638347,"sku":"SQ5468353","price":22.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Ici_et_maintenant.webp?v=1773411204"},{"product_id":"bartosch-idee","title":"L'Idée","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1932-1976\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eBerthold Bartosch\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 30 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eL'IDÉE \u003c\/strong\u003e(1932) 30'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Men live and die for an idea but the idea is immortal. You can pursue it, you can judge it, you can prohibit it, you can condemn it to death but the idea continues to live in the minds of men.\"\u003cbr\u003e\u003cem\u003eL'idée\u003c\/em\u003e (1932) begins with these words, synthesizing all the political force of this animated film.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"(...) Bartosch showed that animation could be POETIC... Bartosch was the first to give animation the dimension of a great art, expressing his pain, laying bare his heart, and recounting his hope for a better future - which he would never see.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eAlexander Alexeieff and Claire Parker, 1969\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe only preserved film by Bartosch, made entirely by his own hands in Paris in 1932. Nearly 45,000 frames were animated simultaneously on four levels, often with up to 18 superimpositions made in-camera.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThis DVD is a transfer of our 2003 VHS edition. It is the official version made in 1976 by Maria Bartosch \u0026amp; Cecile Starr. The transfer was a Digibeta transfer supervised from a new 16mm print. It remains the highest quality transfer ever made.\u003c\/p\u003e","brand":"Berthold Bartosch","offers":[{"title":"Default Title","offer_id":56788823703883,"sku":"SQ5484444","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--berthold-bartosch-l-idee.webp?v=1773411205"},{"product_id":"bassan-le-critique-filmeur","title":"Le Critique Filmeur","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm, HD\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1992-2021\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eRaphaël Bassan\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e Raphaël Bassan, Julie Savelli\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 44 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 122 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eLE DÉPART D'EURYDICE \u003c\/strong\u003e(1969-2016) 11'\u003cbr\u003e\u003cstrong\u003ePRÉTEXTES \u003c\/strong\u003e(1971-2016) 13'\u003cbr\u003e\u003cstrong\u003eLUCY ET MIROIR\u003c\/strong\u003e (2003-2005 \/ 45'\u003cbr\u003e\u003cstrong\u003eLES DEUX LUCY \u003c\/strong\u003e\u003cspan\u003eby Michel Amarger \u0026amp; Frédérique Devaux (2003) 18'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSIGNATURE AU CINÉ REFLET \u003c\/strong\u003e\u003cspan\u003eby Viviane Vagh (2014) 35'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"Thus this Christ on the cross, crudely sculpted, nonetheless creates unease. Just as the possessed gestures of this guru become disturbing through their excessiveness. Doesn't this doll he dismembers conceal, beneath its derisory airs, real curses? For myths await their reenactment to cast us into destiny.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e— Stéphane de Mesnildot, on \u003c\/span\u003e\u003cem\u003eLe Départ d'Eurydice\u003c\/em\u003e\u003cspan\u003e (2003)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"At the origin of \u003c\/span\u003e\u003cem\u003ePrétextes\u003c\/em\u003e\u003cspan\u003e, screen tests for a feature film never made. In these fragments, torn from the inner life of a couple, it's not psychology that defines man and woman, but the arrangement of primitive symbols, of archetypes.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e— Stéphane de Mesnildot, on \u003c\/span\u003e\u003cem\u003ePrétextes\u003c\/em\u003e\u003cspan\u003e (2003)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"Fans of classical narrative, move along. \u003c\/span\u003e\u003cem\u003eLucy en Miroir\u003c\/em\u003e\u003cspan\u003e speaks to us of attraction and vertigo, of spleen and fear, of happiness and solitude. It's neither a stylistic exercise nor a theoretical essay, nor a visual poem. It's, quite simply, a necessary film.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e— Jean-Pierre Bouyxou, on \u003c\/span\u003e\u003cem\u003eLucy en miroir\u003c\/em\u003e\u003cspan\u003e (2005)\u003c\/span\u003e\u003c\/p\u003e","brand":"Raphaël Bassan","offers":[{"title":"Default Title","offer_id":56788823834955,"sku":"SQ0551173","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Le_Critique_Filmeur.webp?v=1773411206"},{"product_id":"belson-essantial-films","title":"5 Essential Films","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1961-2005\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJordan Belson\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 42 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eALLURES \u003c\/strong\u003e(1961) 7'\u003cbr\u003e\u003cstrong\u003eSAMADHI \u003c\/strong\u003e(1967) 5'\u003cbr\u003e\u003cstrong\u003eLIGHT \u003c\/strong\u003e(1973) 6'\u003cbr\u003e\u003cstrong\u003eFOUNTAIN OF DREAMS\u003c\/strong\u003e (1984) 12'\u003cbr\u003e\u003cstrong\u003eEPILOGUE \u003c\/strong\u003e(2005) 12'\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"These five films by Jordan Belson, representing his early, mature, and late-mature periods, are essential for three reasons: the early classics were groundbreaking masterpieces, \u003cem\u003eFountain of Dreams\u003c\/em\u003e, previously unreleased, is a dazzling revelation from his middle period, and the shimmering \u003cem\u003eEpilogue\u003c\/em\u003e (2005) clearly shows that the master retains the spark of genius, breathing new life into the vocabulary he developed over more than half a century of visionary cinema.\"\u003cbr\u003e— Gene Youngblood, media historian\u003c\/p\u003e","brand":"Jordan Belson","offers":[{"title":"Default Title","offer_id":56788826259787,"sku":"SQ8315167","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Jordan_Belson-_5_Essential_Films.webp?v=1773411208"},{"product_id":"benning-11-14","title":"11x14, One Way Boogie Woogie, One Way Boogie Woogie\/27 Years Later","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e2 x DVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e16mm\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1978-2005\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJames Benning\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 20 pages (German, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 283 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e11X14\u003c\/strong\u003e\u003cspan\u003e (1977) 77'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eONE WAY BOOGIE WOOGIE 2012\u003c\/strong\u003e\u003cspan\u003e (2012) 90'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eONE WAY BOOGIE WOOGIE \/ 27 YEARS LATER\u003c\/strong\u003e\u003cspan\u003e (1978\/2005) 116'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn the mid-1970s, James Benning's first feature films attracted critical attention, establishing him as a leading figure of the \"New Narrative Movement.\" In films such as \u003cem\u003e11x14\u003c\/em\u003e and \u003cem\u003eOne Way Boogie Woogie\u003c\/em\u003e, he combines structural analysis of image, sound, and narrative with autobiographical traces, as well as an almost \"classical\" interest in composition, color, light, and landscape. This 2-DVD set presents \u003cem\u003e11x14\u003c\/em\u003e (1977), one of the central films of the 1970s American avant-garde, in a restored version. Also included are Benning's recurring looks at his hometown Milwaukee at three distinct moments: \u003cem\u003eOne Way Boogie Woogie\u003c\/em\u003e (1978), \u003cem\u003e27 Years Later\u003c\/em\u003e (2005), and \u003cem\u003eOne Way Boogie Woogie 2012\u003c\/em\u003e. Documents on change and transience.\u003c\/p\u003e","brand":"James Benning","offers":[{"title":"Default Title","offer_id":56788826521931,"sku":"SQ5168166","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--11x14_One_Way_Boogie_Woogie_3A27_Years_Later.webp?v=1773411209"},{"product_id":"benning-american-dreams","title":"American Dreams (lost and found) \u0026 Landscape Suicide","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e2 x\u003c\/strong\u003e \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1984-1986\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJames Benning\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eGerman\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 20 pages (German, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 145 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAMERICAN DREAMS (LOST AND FOUND)\u003c\/strong\u003e (1984) 53'\u003cbr\u003e\u003cstrong\u003eLANDSCAPE SUICIDE\u003c\/strong\u003e\u003cspan\u003e (1986) 92'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFor over 40 years, James Benning has been a singular and engaged voice in American independent cinema. This 2-DVD box set, the first in a planned series dedicated to the filmmaker's work, presents for the first time on DVD two of his major works from the 1980s: \u003cem\u003eAmerican Dreams (lost and found)\u003c\/em\u003e is the filmmaker's personal look at American history from 1954 to 1976, told through a complex and stimulating assemblage of images, texts, and sounds. In \u003cem\u003eLandscape Suicide\u003c\/em\u003e, Benning effortlessly crosses the boundaries between narrative and documentary by retracing two famous murder cases that occurred nearly 30 years apart.\u003c\/p\u003e","brand":"James Benning","offers":[{"title":"Default Title","offer_id":56788826554699,"sku":"SQ2458301","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--American_Dreams_28lost_and_found_29_26_Landscape_Suicide.webp?v=1773411211"},{"product_id":"benning-california-trilogy","title":"California Trilogy","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e2 x\u003c\/strong\u003e \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1999-2001\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJames Benning\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eGerman\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 16 pages (German, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 261 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eEL VALLEY CENTRO\u003c\/strong\u003e (1999) 87'\u003cbr\u003e\u003cstrong\u003eLOS\u003c\/strong\u003e (2000) 87'\u003cbr\u003e\u003cstrong\u003eSOGOBI\u003c\/strong\u003e\u003cspan\u003e (2001) 87'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eProduced at the junction of two millennia, the \u003cem\u003eCalifornia Trilogy\u003c\/em\u003e is James Benning's three-part topographical study of the American \"Golden State.\" Looking to the past while exploring the present, the mathematician-turned-filmmaker condenses three distinct Californian landscapes into a total of 105 shots, each lasting exactly 2 minutes 30 seconds. Formal rigor and compositional precision combine with ambient sound and implicit social commentary to create a hypnotic journey through the 31st State of the United States; from the great Central Valley (\u003cem\u003eEl Valley Centro\u003c\/em\u003e), through the greater Los Angeles area (\u003cem\u003eLos\u003c\/em\u003e), to the wilderness of California (\u003cem\u003eSogobi\u003c\/em\u003e).\u003c\/p\u003e","brand":"James Benning","offers":[{"title":"Default Title","offer_id":56788826587467,"sku":"SQ0826341","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--The_California_Trilogy.webp?v=1773411211"},{"product_id":"benning-casting-glance","title":"Casting a Glance\/RR","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e2 x\u003c\/strong\u003e \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e2007-2012\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJames Benning\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSous-titres \u003cstrong\u003e\u003cspan\u003eGerman\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 20 pages (German, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 220 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eCASTING A GLANCE\u003c\/strong\u003e\u003cspan\u003e (2007) 77'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJAMES BENNING: CASTING A GLANCE AT CASTING A GLANCE\u003c\/strong\u003e\u003cspan\u003e (2012) 17'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRR\u003c\/strong\u003e\u003cspan\u003e (2007) 107'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJAMES BENNING: RR - JB - QA\u003c\/strong\u003e\u003cspan\u003e (2012) 19'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn \u003cem\u003ecasting a glance\u003c\/em\u003e, one artist pays tribute to another: James Benning offers a filmic ode to Robert Smithson's celebrated earthwork sculpture, the Spiral Jetty. With \u003cem\u003eRR\u003c\/em\u003e, his homage to American railroads, the filmmaker closes an era by returning to the roots of cinema. Shot in parallel over a two-year period, these works mark James Benning's farewell to analog cinema and together constitute the profound \"last words\" on the filmic medium from one of its most singular innovators.\u003cbr\u003e\u003cbr\u003eThis 2-DVD set brings together these two films accompanied by rare audio interviews in which Benning recounts the experience of making his \"last\" films and offers a unique insight into his creative methods.\u003c\/p\u003e","brand":"James Benning","offers":[{"title":"Default Title","offer_id":56788826653003,"sku":"SQ4776047","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Casting_a_Glance_26_RR.webp?v=1773411212"},{"product_id":"benning-deseret","title":"Deseret\/Four Corners","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e2 xDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1995-1997\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJames Benning\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eGerman\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 20 pages (German, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 169 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDESERET\u003c\/strong\u003e\u003cspan\u003e (1995) 78' \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJAMES BENNING: VIENNALE Q\u0026amp;A\u003c\/strong\u003e\u003cspan\u003e (1996) 15' \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFOURCORNERS\u003c\/strong\u003e\u003cspan\u003e (1997) 76' \u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn the 1990s, James Benning's films were primarily characterized by an ongoing exploration of the relationship between image and word (spoken or written). This two-disc boxset presents the two key works that represent the apex of this \"text-image film\" period. In \u003cem\u003eDeseret\u003c\/em\u003e Benning (via the New York Times) traces the history of the Mormon state of Utah through spectacular black and white and color images. Art and landscape become one in Benning's subsequent film, \u003cem\u003eFour Corners\u003c\/em\u003e, which is both a tribute to the famous region of the United States where four states converge and a portrait of four very different artists.\u003c\/p\u003e","brand":"James Benning","offers":[{"title":"Default Title","offer_id":56788826685771,"sku":"SQ8788503","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Deseret_3A_Four_Corners.webp?v=1773411213"},{"product_id":"benning-grand-opera","title":"Grand opera, an Historical romance, O Panama","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1979\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJames Benning\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eGerman\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 20 pages (German, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 108min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eGRAND OPERA. AN HISTORICAL ROMANCE\u003c\/strong\u003e\u003cspan\u003e (1979) 81'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eO PANAMA \u003c\/strong\u003e\u003cspan\u003e(1985) 27'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn James Benning's \u003cem\u003eGrand Opera\u003c\/em\u003e (1979), the static landscapes and urban scenes that made his reputation in the late 1970s are enriched by several experiments with established forms and conventions, as well as a brief homage to four emblematic figures of the avant-garde: Hollis Frampton, George Landow, Yvonne Rainer, and Michael Snow. What distinguishes \u003cem\u003eGrand Opera\u003c\/em\u003e and sets it apart from Benning's earlier works is its engagement with history, both the filmmaker's personal biography and that of cinema itself.\u003c\/p\u003e\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eO Panama\u003c\/em\u003e (1985) is Benning's only film based on fictional material, a collage of three short stories written by Burt Barr. The film resembles the feverish dream of a sick man (played by Willem Dafoe), skillfully blurring the boundaries between reality and fantasy.\u003c\/p\u003e","brand":"James Benning","offers":[{"title":"Default Title","offer_id":56788826718539,"sku":"SQ6735556","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Grand_Opera._An_Historical_Romance_26_O_Panama.webp?v=1773411214"},{"product_id":"benning-natural-history","title":"Natural History\/Ruhr","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat\u003cstrong\u003e 2 x\u003c\/strong\u003e \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003eHD\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e2009-2014\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003eJames Benning\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eGerman\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 28 pages\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 284 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eRUHR\u003c\/strong\u003e\u003cspan\u003e (2009) 122' \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFIRE \u0026amp; RAIN \u003c\/strong\u003e\u003cspan\u003e(2009) 1'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNATURAL HISTORY\u003c\/strong\u003e\u003cspan\u003e (2014) 77'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJAMES BENNING: CIRCLING THE IMAGE \u003c\/strong\u003e\u003cspan\u003e(2003) 84' \u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eSince the late 1970s, James Benning's films have been regularly presented at festivals in Germany and Austria, while frequent television broadcasts have helped introduce his work to an audience arguably larger there than in his own country.\u003cbr\u003e\u003cbr\u003eThis 2 DVD set brings together the fruits of this intercontinental relationship: \u003cem\u003eRuhr\u003c\/em\u003e, Benning's first foray into digital cinema, is a contemporary \"city symphony\" dedicated to the industrial Ruhr region of Germany. His latest film, \u003cem\u003enatural history\u003c\/em\u003e, is an audiovisual portrait commissioned by the Natural History Museum in Vienna. Reinhard Wulf's feature-length documentary \u003cem\u003eJames Benning: Circling the Image\u003c\/em\u003e, produced for German television, completes the set.\u003c\/p\u003e","brand":"James Benning","offers":[{"title":"Default Title","offer_id":56788826784075,"sku":"SQ1163533","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Natural_history_3A_Ruhr.webp?v=1773411215"},{"product_id":"bidgood-pink-narcissus","title":"Pink Narcissus","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Region 2\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e8mm\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1971\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003eJames Bidgood\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 18 pages (English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 70 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003ePINK NARCISSUS \u003c\/strong\u003e(1971) 70'\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003ePink Narcissus \u003c\/em\u003erecalls Genet's \u003cem\u003eUn chant d'amour\u003c\/em\u003e in its obsession with flowers, raw sexuality, and extraordinary masculine beauty, but it more closely resembles a dreamy, opiated version sprung from a drag queen's imagination—or a Disney-esque adaptation of Genet's work—than a true direct heir. (J. Hoberman indeed described the film as \"a gay Fantasia... at once underground extravaganza and romantic porn.\") Though dialogue is nonexistent and the plot extremely thin, the story features a young hustler or kept boy who spends his waiting hours for his client fascinated by his own beauty, imagining himself a Roman slave or Turkish prince. The room where he seems imprisoned and the worlds of his fantasies are sumptuously designed: every surface is adorned with rhinestones and fake jewels, draped in pink muslin and lace, lit with violet and magenta filters. Entire landscapes are built from potted plants, plastic flowers, papier-mâché and chicken-wire structures, and diaphanous sets cut from old dresses. The protagonist's idle reveries, triggered by a piece of music or a fleeting thought, materialize and compose an artificial paradise, a Garden of Eden where butterflies fly suspended on thin wire threads and the stars are merely pinpricks in a black paper sky.\u003c\/p\u003e","brand":"James Bidgood","offers":[{"title":"Default Title","offer_id":56788826915147,"sku":"SQ6362110","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Pink_Narcissus.webp?v=1773411218"},{"product_id":"blu-ray-the-films-of-david-rimmer","title":"The Films of David Rimmer: Vol. 1-3","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e3 x Blu-ray Interzone\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eOriginal format \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuper 8, 16mm, video\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eYear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1968-1986\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eArtist(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDavid Rimmer, Mike Hoolbloom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eRunning time \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e170 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eSQUARE INCH FIELD \u003c\/strong\u003e(1968) 13'\u003cbr\u003e\u003cstrong\u003eMIGRATION \u003c\/strong\u003e(1969) 11'\u003cbr\u003e\u003cstrong\u003eLANDSCAPE \u003c\/strong\u003e(1969) 8'\u003cbr\u003e\u003cstrong\u003eBLUE MOVIE \u003c\/strong\u003e(1970) 6'\u003cbr\u003e\u003cstrong\u003eTREEFALL \u003c\/strong\u003e(1970) 5'\u003cbr\u003e\u003cstrong\u003eTHE DANCE \u003c\/strong\u003e(1970) 5'\u003cbr\u003e\u003cstrong\u003eSURFACING ON THE THAMES \u003c\/strong\u003e(1970) 5'\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVARIATIONS ON A CELLOPHANE WRAPPER\u003c\/strong\u003e (1970) 8'\u003cbr\u003e\u003cstrong\u003eSEASHORE\u003c\/strong\u003e (1971) 11'\u003cbr\u003e\u003cstrong\u003eREAL ITALIAN PIZZA\u003c\/strong\u003e (1971) 13'\u003cbr\u003e\u003cstrong\u003eWATCHING FOR THE QUEEN\u003c\/strong\u003e (1973) 11'\u003cbr\u003e\u003cstrong\u003eFRACTURE\u003c\/strong\u003e (1973) 10'\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCANADIAN PACIFIC\u003c\/strong\u003e (1974) 9'\u003cbr\u003e\u003cstrong\u003eCANADIAN PACIFIC II\u003c\/strong\u003e (1975) 9'\u003cbr\u003e\u003cstrong\u003eNARROWS INLET\u003c\/strong\u003e (1980) 10'\u003cbr\u003e\u003cstrong\u003eBRICOLAGE\u003c\/strong\u003e (1984) 11'\u003cbr\u003e\u003cstrong\u003eAS SEEN ON TV\u003c\/strong\u003e (1986) 15'\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDavid Rimmer is among Canada's best-known and most influential experimental filmmakers. This three-volume set brings together his seminal works, made between 1968 and 1986. Born in Vancouver, B.C., Rimmer is a key figure in that city's avant-garde as well as on the New York scene. His films are distinguished by their formal experimentation with looping, superimposition, and optical printing. But they also transcend the constraints of structural cinema to achieve a poetic and metaphorical dimension.\u003c\/span\u003e\u003c\/p\u003e","brand":"David Rimmer","offers":[{"title":"Default Title","offer_id":56788826947915,"sku":"SQ3327628","price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--rimmer.webp?v=1773411218"},{"product_id":"bokanowski-ange","title":"L'ange","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eBlu-ray, DVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm, 16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1977-1982\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003ePatrick Bokanowski\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 48 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 70 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eL'ANGE\u003c\/strong\u003e (1977-1982) 70'\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cu\u003e\u003cspan\u003eBONUS\u003c\/span\u003e\u003c\/u\u003e\u003cbr\u003eTwo documentaries about the filmmaker, by Jean-Claude Lubtchansky: \u003cstrong\u003eUN CRÉATEUR DE L'IMAGNAIRE : PARICK BOKANOWSKI - HIÉROGLPHES \u0026 CINÉ-CONCERT\u003c\/strong\u003e (1975 - 1977) ©INA\u003cbr\u003eAn interview with Michèle Bokanowski, excerpt from '' Court-circuit n°180 '' directed by Lorenzo Recio for ©ARTE France – MK2TV (2004)\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Master of my universe? I can't say that. I even wonder if beginnings, when one doesn't control much, aren't the most fertile, precisely because of those technical unknowns that allow for so many possibilities.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003ePatrick Bokanowski\u003c\/p\u003e\u003cp class=\"\" style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"[…] Patrick Bokanoswki regularly draws and paints with his eyes closed. It's about letting oneself be guided by the hand, the gesture, the body and intuition rather than by the intellectual vision of what is happening.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003ePip Chodorov\u003c\/p\u003e\u003cp class=\"\" style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003eL'Ange\u003c\/em\u003e is there and is not there. […] It does not reign over the scattered world in which one sometimes believes to perceive it. It announces nothing. It is doubtless the messenger of no one, except of the enigmatic light, except of a hidden fire.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eGilbert Lascault, '' Métamorphoses de la lumière '', \u003cem\u003eLe Monde\u003c\/em\u003e, 08\/04\/1984.\u003c\/p\u003e","brand":"Patrick Bokanowski","offers":[{"title":"Default Title","offer_id":56788828029259,"sku":"SQ1063382","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--L_27ange.webp?v=1773411229"},{"product_id":"bokanowski-courts-metrages","title":"Courts-métrages","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eBlu-ray, DVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm, HD\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1972-2018\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003ePatrick Bokanowski\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e Patrick Bokanowski, Hugo Bélit, Jacques Kermabon\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 44 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 126 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eLA FEMME QUI SE POUDRE \u003c\/strong\u003e(1972) 18'\u003cbr\u003e\u003cstrong\u003eDÉJEUNER DU MATIN \u003c\/strong\u003e(1974) 12'\u003cbr\u003e\u003cstrong\u003eLA PLAGE \u003c\/strong\u003e(1991) 14'\u003cbr\u003e\u003cstrong\u003eAU BORD DU LAC \u003c\/strong\u003e(1993) 6'\u003cbr\u003e\u003cstrong\u003eFLAMMES \u003c\/strong\u003e(1998) 4'\u003cbr\u003e\u003cstrong\u003eECLATS D'ORPHÉE \u003c\/strong\u003e(2002) 5'\u003cbr\u003e\u003cstrong\u003eLE CANARD À L'ORANGE \u003c\/strong\u003e(2002) 9'\u003cbr\u003e\u003cstrong\u003eBATTEMENTS SOLAIRES \u003c\/strong\u003e(2008) 18'\u003cbr\u003e\u003cstrong\u003eL'ENVOL \u003c\/strong\u003e(2018) 4'\u003cbr\u003e\u003cstrong\u003eL'INDOMPTABLE \u003c\/strong\u003e(2018) 8'\u003cbr\u003e\u003cstrong\u003eVISITE À L'ATELIER \u003c\/strong\u003eby Pip Chodorov (2017) 27'\u003cbr\u003e\u003cstrong\u003eTÉLÉVISION DE CHAMBRE \u003c\/strong\u003eby Patrick Bokanowski (1984) 40'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"The flashes of an ochre sea echo the accelerated sparkles of fireworks, then a rain of colors, a swarming of matter, to the point of abstraction. There would be a thousand ways to fail to express what takes place between \u003cem\u003eBattements solaires\u003c\/em\u003e and the one who contemplates it, a viewer captivated by this symphony of colors and mysteries. The music by Michèle Bokanowski brings an equally indefinable dimension.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eJaques Kermabon, \u003cem\u003eBref\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Already \u003cem\u003eLa Femme qui se poudre\u003c\/em\u003e had taught us that this author, relentlessly working real images by means of techniques borrowed from painting and animated cinema, was capable of establishing a universe of madness and cataclysm of indisputable beauty. \u003cem\u003eDéjeuner du matin\u003c\/em\u003e is entirely worthy of succeeding it. It's a superb piece of cinema, plain and simple.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eMichel Perez, \u003cem\u003eLe Matin de Paris\u003c\/em\u003e\u003c\/p\u003e","brand":"Patrick Bokanowski","offers":[{"title":"Default Title","offer_id":56788828586315,"sku":"SQ1873515","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Courts-me_CC_81trages.webp?v=1773411230"},{"product_id":"bokanowski-documentaires","title":"Documentaires","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone \u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm, HD\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1984-2003\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003ePatrick Bokanowski\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 34 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 93 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eLA PART DU HASARD\u003c\/strong\u003e (1984) 52'\u003cbr\u003e\u003cstrong\u003eLE RÊVE ÉVEILLÉ\u003c\/strong\u003e\u003cspan\u003e (2003) 41'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn \u003cem\u003eLa part du hasard\u003c\/em\u003e\u003cstrong\u003e, t\u003c\/strong\u003ehe hand of Henri Dimier lets itself be guided by total creative spontaneity. Hence his dialogue with the sheet of paper, his conversation with the work in the making, the jubilant character of the vibrant movements of his hand on the paper. Freedom, fantasy, chance are Henri Dimier's three watchwords…\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn \u003cem\u003eLe rêve éveillé\u003c\/em\u003e, Colette Aboulker-Muscat has been teaching waking dreams in Jerusalem for forty years. To each person who comes to consult her, she offers a brief narrative leading to a waking dream, comparable in intensity to a night dream. The surprise provoked by this narrative and the brevity of the treatment are, for her, essential points. It is the images themselves that make it possible to overcome a difficulty or an illness.\u003c\/p\u003e","brand":"Patrick Bokanowski","offers":[{"title":"Default Title","offer_id":56788828881227,"sku":"SQ6587673","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--documentaires.webp?v=1773411231"},{"product_id":"bokanowski-un-reve-solaire","title":"Un rêve solaire","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eBlu-ray, DVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003eHD\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e2015-2016\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003ePatrick Bokanowski\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 16 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 70 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eUN RÊVE SOLAIRE \u003c\/strong\u003e(2015-2016) 63'\u003cbr\u003e\u003cstrong\u003ePATRICK BOKANOWSKI - GENÈSE D'UN RÊVE SOLAIRE\u003c\/strong\u003e\u003cspan\u003e by Pip Chodorov (2017) 7'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eUnlike \u003cem\u003eL'Ange\u003c\/em\u003e, shot in a studio, \u003cem\u003eUn rêve solaire \u003c\/em\u003eis largely composed of real-world footage. The actors no longer wear makeup under masks. The actors are us, spectators of unknown performances, or stellar spectators, a crowd of anonymous figures silhouetted against skies of fire and water, but above all sleeping childhood dreaming during a train journey.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"There are no, or very few, words in my films. Michèle Bokanowski's music plays a decisive role because it tells in its own way and in counterpoint what the images or characters do not say.\"\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e— \u003c\/span\u003e\u003c\/strong\u003ePatrick Bokanowski\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003eUn rêve solaire\u003c\/em\u003e recounts, by depicting it concretely, a struggle between shadow and light. These two simultaneous movements give the film its dynamic principle and its plastic energy.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eJacques Kermabon\u003c\/p\u003e","brand":"Patrick Bokanowski","offers":[{"title":"Default Title","offer_id":56788829602123,"sku":"SQ8602170","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Un_re_CC_82ve_solaire.webp?v=1773411232"},{"product_id":"book-of-all-dead-region-1-vod","title":"The Book of All the Dead - Region One","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm, HD\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1975-1985\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003eR. Bruce Elder\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 720 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBREATH\/LIGHT\/BIRTH \u003c\/strong\u003e(1975) 5'\u003cbr\u003e\u003cstrong\u003eTHE ART OF WORLDLY WISDOM \u003c\/strong\u003e(1979) 54'\u003cbr\u003e\u003cstrong\u003e1857 (FOOL'S GOLD)\u003c\/strong\u003e (1981) 24'\u003cbr\u003e\u003cstrong\u003eILLUMINATED TEXTS \u003c\/strong\u003e(1982) 180'\u003cbr\u003e\u003cstrong\u003eLAMENTATIONS: A MONUMENT TO THE DEAD WORLD, PART 1: THE DREAM OF THE LAST HISTORIAN \u003c\/strong\u003e(1985) 200'\u003cbr\u003e\u003cstrong\u003eSWEET LOVE REMEMBERED \u003c\/strong\u003e(1980) 12'\u003cbr\u003e\u003cstrong\u003eLAMENTATIONS: A MONUMENT TO THE DEAD WORLD, PART 2: THE SUBLIME CALCULATION \u003c\/strong\u003e(1985) 240'\u003cbr\u003e\u003cstrong\u003ePERMUTATIONS AND COMBINATIONS \u003c\/strong\u003e(1976) 7'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eA collection of films inspired by reading Dante's \u003cem\u003eInferno\u003c\/em\u003e. A traveler finds himself lost in the middle of life's journey, uncertain whether he can find a way out. The films constitute an implicit glorification of God's ways and a protest against the manner in which humans (ancient and modern) have thwarted the divine plan. They express anguish in the face of injustice and corruption of their time.\u003ca href=\"https:\/\/vimeo.com\/ondemand\/regionone\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"R. Bruce Elder","offers":[{"title":"Default Title","offer_id":56788830191947,"sku":"SQ0130011","price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_elder-book-of-all-dead-region-1-vod.webp?v=1773411233"},{"product_id":"book-of-all-dead-region-2-vod","title":"The Book of All the Dead - Region Two","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003eHD\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1988\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003eR. Bruce Elder\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 629 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eCONSOLATIONS (LOVE IS AN ART OF TIME) PART 1: THE FUGITIVE GODS \u003c\/strong\u003e(1988) 243'\u003cbr\u003e\u003cstrong\u003eCONSOLATIONS (LOVE IS AN ART OF TIME) PART 2: THE LIGHTED CLEARING \u003c\/strong\u003e(1988) 240'\u003cbr\u003e\u003cstrong\u003eCONSOLATIONS (LOVE IS AN ART OF TIME) PART 3: THE BODY AND THE WORLD \u003c\/strong\u003e(1988) 346'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Three films inspired by reading Dante's Purgatorio. The traveler emerges from Hell and arrives at a mountain 'where the human spirit is purified to become worthy of Paradise.' The films express the idea that a greater love for others is an antidote to the barbarities of the world, and that evil can be understood as a sin against love. The landscapes depicted in the films are austere, but the tone of the voiceover and intertitles is imbued with expectation and hope.\"\u003cbr\u003e— RBE\u003ca href=\"https:\/\/vimeo.com\/ondemand\/regiontwo\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"R. Bruce Elder","offers":[{"title":"Default Title","offer_id":56788830519627,"sku":"SQ7824426","price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_elder-book-of-all-dead-region-2-vod.jpg?v=1773411234"},{"product_id":"brooks-the-wind-is-driving-him-toward-the-open-sea","title":"The Wind is Driving Him Toward the Open Sea","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1963-1969\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eDavid Brooks\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e Stephen Broomer, J.J. Murphy\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 48 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 87 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eJERRY\u003c\/strong\u003e\u003cspan\u003e \/ 1963) 3'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNIGHTSPRING DAYSTAR\u003c\/strong\u003e\u003cspan\u003e (1964) 17'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eWINTER\u003c\/strong\u003e\u003cspan\u003e (1966) 16'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLETTER TO D.H. IN PARIS\u003c\/strong\u003e\u003cspan\u003e (1967) 4'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEEL\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCREEK\u003c\/strong\u003e\u003cspan\u003e (1968) 7'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTHE WIND IS DRIVING HIM TOWARD THE OPEN SEA\u003c\/strong\u003e\u003cspan\u003e (1968) 50'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCAROLYN AND ME 1-2-3 \u003c\/strong\u003e\u003cspan\u003e(1969) 90'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003eThe Wind is Driving Him Toward the Open Sea\u003c\/em\u003e is as poetic as its title. I find it one of the most interesting narrative films to come out this year. What's interesting is that David Brooks manages to fuse in it a number of different techniques that, until now, have only been used in non-narrative and poetic films—techniques such as single-frame, free and impressionistic camera movements, the quasi-total absence of plot, etc. The other thing I like about \"The Wind...\" is the fascinating melancholy that surrounds it. Its narrative of moods, reflections, things lost, gone, like autumn leaves—no tragedy, really, only a mood of melancholy, of sadness—of friends, lifestyles, vanished cultures, ages that come and go—these are just some of the notes the film sounds. Romanticism? Perhaps.\"\u003cbr\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eJonas Mekas, \u003cem\u003eMovie Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Inventorying his films makes no more sense than inventorying a Bonnard painting. It is through the lyrical flow of his camera, through his intuitive knowledge of the right length for each shot and the natural grafting of one onto another, that his statements about film take on the quality of poetry.\"\u003cbr\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eDavid Curtis\u003c\/p\u003e","brand":"David Brooks","offers":[{"title":"Default Title","offer_id":56788831076683,"sku":"SQ4835676","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--The_Wind_is_Driving_Him_Toward_the_Open_Sea.webp?v=1773411238"},{"product_id":"buharov-slow-mirror","title":"Slow Mirror","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm, Super8\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e2002-2009\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish, Hungarian\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eIvan Buharov, Igor Buharov\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench, English\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 20 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 108 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eSLOW MIRROR\u003c\/strong\u003e (2007) 84'\u003cbr\u003e\u003cstrong\u003eMOTHMILK\u003c\/strong\u003e\u003cspan\u003e (2009) 9'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eONEHEADWORD PROTECTION\u003c\/strong\u003e\u003cspan\u003e (2006) 7'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eHOTEL TUBU\u003c\/strong\u003e\u003cspan\u003e (2002) 5'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"The anarchic, fractured and extremely surreal imagery of Ivan and Igor Buharov (Kornél Szilágyi and Nándor Hevesi) seems to perfectly embody the paradigm of 'marginality'. Hallucinations with a melancholic playfulness, haloed by the charm of those forgotten objects found in a grandmother's attic (like a children's drawing book, now unsettling), they reveal in precise terms a world perhaps unconsciously suspected but until now indescribable. They share something improvised and handcrafted. This comes not only from the rough-hewn quality of their superb visual textures, but often also from the people, objects and spaces that appear before the camera. Rather than star profiles, their casting consists of extraordinary ordinary people, inhabited faces who bring their own stories to the films. The props, which sometimes reappear conspicuously in different films, also seem to belong to the real world, endowed with their own existence that is poured back into the films. This contributes to giving this cinema the curious intimacy of children's games, in which ordinary people and places become strange and the strange becomes inherent to the everyday. The feverish and disturbing experience of watching a Buharov film has perhaps never been better described than in the catalogue of the 2008 edition of the Offscreen film festival: Getting lost in someone else's dream.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e— Maximilian Le Cain\u003c\/span\u003e\u003c\/p\u003e","brand":"Igor Buharov, Ivan Buharov","offers":[{"title":"Default Title","offer_id":56788831142219,"sku":"SQ4562840","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Slow_Mirror.webp?v=1773411240"},{"product_id":"cahen-entrevoir","title":"Entrevoir","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e\u003cspan\u003eDVD9 PAL Interzone\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003eSuper 8, 16mm, 35mm, video\u003c\/strong\u003e\u003cbr\u003eYear \u003cstrong\u003e1973-2021\u003c\/strong\u003e\u003cbr\u003eLanguage(s) \u003cstrong\u003eEnglish\u003c\/strong\u003e\u003cbr\u003eArtist(s) \u003cstrong\u003eRobert Cahen\u003c\/strong\u003e\u003cbr\u003eLivret \u003cstrong\u003e44 pages (français, anglais)\u003c\/strong\u003e\u003cbr\u003eRunning time \u003cstrong\u003e179 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eIMAGE DU CARNAVAL DE BÂLE\u003c\/strong\u003e\u003cspan\u003e (1973) 22'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eKARIE\u003c\/strong\u003e\u003cspan\u003e (1976) 8'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eARRÊT SUR MARCHE\u003c\/strong\u003e\u003cspan\u003e (1979) 8'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eL'ENTR'APERÇU\u003c\/strong\u003e\u003cspan\u003e (1981) 9'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eARTMATIC\u003c\/strong\u003e\u003cspan\u003e (1981) 4'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJUSTE LE TEMPS\u003c\/strong\u003e\u003cspan\u003e (1983) 13'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLE DEUXIÈME JOUR\u003c\/strong\u003e\u003cspan\u003e (1988) 8'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eHONG KONG SONG\u003c\/strong\u003e\u003cspan\u003e (1989) 21'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSOLO\u003c\/strong\u003e\u003cspan\u003e (1989) 4'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCORPS FLOTTANTS\u003c\/strong\u003e\u003cspan\u003e (1997) 13' \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eL'ETREINTE\u003c\/strong\u003e\u003cspan\u003e (2003) 9'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSEPT VISIONS FUGITIVES\u003c\/strong\u003e\u003cspan\u003e (1995) 32'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eVOYAGES D'HIVER\u003c\/strong\u003e\u003cspan\u003e (1993) 18'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSIGN\u003c\/strong\u003e\u003cspan\u003e (2021) 10' \u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eRobert Cahen is a video artist, filmmaker, and trained composer. A major figure in the field of video creation, emerging from the borders between the arts, he is a pioneer in the use of electronic instruments. Robert Cahen's work is recognizable by his way of treating slow motion, exploring sound in relation to image to construct his poetic universe. He multiplies the effects of sliding, alteration of movement, contraction and dilation of time—processes that allow him to explore the metaphor of passage, the memory of images that come and go, to question the passage of time.\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Taking time. Giving time. This is the movement generated by Robert Cahen's films, which transport the viewer into the half-seen, the half-heard, into the in-between images, into the wink, into the blink of an eye or a heartbeat. Time is the substance, the very fabric of the work: at the intersection of several art forms—music, electroacoustic, film, photography, video—the filmmaker explores infinite border crossings. The rhythm of time: its progression, its pauses, its movements, its speeds. And the circumvention of the 'non-time' he examines: he repositions time in space, the multitude of temporal dimensions within us, he transforms image events into invisible events. He makes room for dreams, memories, fantasies, blindness, oblivion, nothingness.\" \u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e— \u003c\/span\u003e\u003c\/strong\u003eMireille Calle-Gruber\u003c\/p\u003e","brand":"Robert Cahen","offers":[{"title":"Default Title","offer_id":56788831174987,"sku":"SQ6051768","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Entrevoir.webp?v=1773411242"},{"product_id":"castagnoli-la-nott-e-l-giorno","title":"La nott'e'l giorno","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003eSuper8\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1973-1976\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eGianni Castagnoli\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 52 pages (French, English, Italian)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 132 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eLA NOTT'E'L GIORNO \u003c\/strong\u003e(1973-1976) 45'\u003cbr\u003e\u003cstrong\u003eVALENTINO MOON \u003c\/strong\u003e(1974-1975) 9'\u003cbr\u003e\u003cstrong\u003eROMA: LE STANZE \u003c\/strong\u003e(1975) 23'\u003cbr\u003e\u003cstrong\u003eMILANO: LE STANZE \u003c\/strong\u003e(1972-76) 29'\u003cbr\u003e\u003cstrong\u003eVIAGGI, PRIMA PARTE \u003c\/strong\u003e(1973-1975) 24'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Castagnoli comes 'after the underground' and one can say that he experiments as naturally as he breathes, since for him, 'the man with a movie camera' is neither exception nor metaphor. The most remarkable element of his films is, in fact, the sense of time and light, in other words, the sense of the body that with the camera transcribes, documents and lives its biological rhythms.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eAdriano Aprà\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"The extreme close-up portraits that dot this kind of intimate diary, and which are among the most admirable - albeit the fastest - ever made in cinema, do not drift about like gratuitous bravura pieces, but are intimately justified, connected to the film's music by a hundred fluid threads.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eDominique Noguez\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003eLa nott'e'l giorno\u003c\/em\u003e is the most meticulously and masterfully edited film in all of Italian cinema, in a lattice of connections between forms, lights, gestures, atmospheres and figurations of vibrations captured at different times and places.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eAlberto Farassino\u003c\/p\u003e","brand":"Gianni Castagnoli","offers":[{"title":"Default Title","offer_id":56788834648395,"sku":"SQ7274582","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--la_nott_27e_27l.webp?v=1773411260"},{"product_id":"charlemagne-palestine-running-n-chanting-n-falling-n-ranting","title":"Running n Chanting n Falling n Ranting","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003elivre\/Cd\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e2014\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e257 pages – 1 CD (45')\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJonas Mekas\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eDistributor \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFilipson editions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap; text-align: left;\" data-rte-preserve-empty=\"true\"\u003e257-page book accompanied by a 45-minute CD. A remarkable publication documenting the little-known video work of artist and musician Charlemagne Palestine, produced in the 1970s, through interviews, essays, photographs and the soundtracks of \"Body Music I,\" \"Body Music II,\" \"Island Song,\" \"Running Outburst\" and \"Tying Myself Up.\" Privately published by the artist in collaboration with alga marghen, \"Running and Chanting and Falling and Ranting\" is a wholly unique publication presenting the entirety of Charlemagne Palestine's video production. \"Body Music I\" (1973) and \"Body Music II\" (1974) were Palestine's first forays into video. They were followed, from 1974 to 1979, by a series of works that together constitute one of the most striking and distinctive bodies of performance-based conceptual video of that decade. As a composer, performer and visual artist, Palestine has gained international recognition for his music, sound compositions and influential performances over the past six decades. His lesser-known psychodramatic video works from the 1970s transform and extend his sound and performance art into the electronic medium. Through these pieces, Palestine activates ritual movements and vocal expressions (hypnotic chanting, screaming, moaning) as outward articulations of inner states. The very titles of these fervent stagings suggest extreme physical and psychological catharses, release and escape. Palestine's 1970s video works are visceral, raw, urgent.\u003c\/p\u003e","brand":"Charlemagne Palestine","offers":[{"title":"Default Title","offer_id":56788837040459,"sku":"SQ0376117","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK-Running-n-Chanting.webp?v=1777024055"},{"product_id":"chodorov-free-radicals","title":"Free Radicals","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003eHD, 16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e2011\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish, French\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003ePip Chodorov\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench, English, Spanish, Serbian, Lithuanian, Chinese, Japanese, Korean, Czech\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 44 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 83 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFREE RADICALS - A HISTORY OF EXPERIMENTAL FILM\u003c\/strong\u003e (2010) 78' \u003cbr\u003e\u003cstrong\u003eFILMSTUDIE\u003c\/strong\u003e by Hans Richter (1926) 5'\u003cbr\u003e\u003cstrong\u003eGHOSTS BEFORE BRAKFAST\u003c\/strong\u003e by Hans Richter (1928) 9'\u003cbr\u003e\u003cstrong\u003eMESHES OF THE AFTERNOON\u003c\/strong\u003e by Maya Deren (1943) 18'\u003cbr\u003e\u003cstrong\u003eCASSIS\u003c\/strong\u003e by Jonas Mekas (1966) 4'\u003cbr\u003e\u003cstrong\u003eHARE KHRISHNA\u003c\/strong\u003e by Jonas Mekas (1966) 4'\u003cbr\u003e\u003cstrong\u003eA COLOUR BOX\u003c\/strong\u003e by Len Lye (1935) 3'\u003cbr\u003e\u003cstrong\u003ePARTICLES IN SPACE\u003c\/strong\u003e by Len Lye (1957) 3'\u003cbr\u003e\u003cstrong\u003eSYMMETRICKS\u003c\/strong\u003e by Stan Vanderbeek (1972) 6'\u003cbr\u003e\u003cstrong\u003eSCIENCE FRICTION\u003c\/strong\u003e by Stan Vanderbeek (1959) 10'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Here's a film that shines first and foremost through its casting: Hans Richter, Maya Deren, Stan Brakhage, Jonas Mekas, Maurice Lemaitre and other \"star\" filmmakers of experimental cinema (mainly American, up through the 1970s) parade here in all their majesty—without false modesty (their frankness and boldness are on the contrary astonishing, sometimes funny) but with the obvious pleasure of being in turn recorded and projected, heard.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003e\u003cem\u003eLes Cahiers du cinéma\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Touching and personal, this documentary—which will serve as a guide to all those tempted to dive into this era—extends its approach. The 'free radicals' referenced in the title are those artists who, in the 1920s and then in the 1970s, pulled cinema toward experimental visual poetry. [...] It pays beautiful tribute to this fringe of cinema too often reduced to a hermetic citadel when it is rather a space open to all winds, where chance, bricolage, and humor have often played a major role.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003e\u003cem\u003eLe Monde\u003c\/em\u003e\u003c\/p\u003e","brand":"Pip Chodorov","offers":[{"title":"Default Title","offer_id":56788838809931,"sku":"SQ1840773","price":22.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Free_Radicals.webp?v=1773411267"},{"product_id":"cicatrice-interieure-vod","title":"La Cicatrice intérieure","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e\u003cspan\u003e 1972\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e\u003cspan\u003e French\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s)\u003cstrong\u003e\u003cspan\u003e Philippe Garrel\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e, French, Japanese\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 60 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eLA CICATRICE INTÉRIEURE\u003c\/strong\u003e (1972) 60'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"In 1972, Nico sings and screams in the New Mexico desert, in the snowy plains of Iceland, in the scorched landscapes of Egypt. Philippe Garrel shoots \u003c\/span\u003e\u003cem\u003eLa Cicatrice intérieure\u003c\/em\u003e\u003cspan\u003e, the ultimate trip-film through the world's most desolate territories. A look back at a key work, whose echoes can be heard in Gus Van Sant (\u003c\/span\u003e\u003cem\u003eGerry\u003c\/em\u003e\u003cspan\u003e) and Vincent Gallo (\u003c\/span\u003e\u003cem\u003eThe Brown Bunny\u003c\/em\u003e\u003cspan\u003e), and at a mythical love story between a prodigious filmmaker and his ghostly icon.\"\u003c\/span\u003e\u003cbr\u003e— \u003cem\u003eLes Inrockuptibles\u003c\/em\u003e\u003ca href=\"https:\/\/vimeo.com\/ondemand\/innerscar\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Philippe Garrel","offers":[{"title":"Default Title","offer_id":56788842578251,"sku":"SQ6215381","price":8.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_garrel-cicatrice-interieure-vod.webp?v=1773411271"},{"product_id":"cinemas-de-traverse-vod","title":"Cinémas de Traverse","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e2005-2009\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e\u003cspan\u003e French, English\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s)\u003cstrong\u003e\u003cspan\u003eFrédérique Devaux, Michel Amarger\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles\u003cstrong\u003e\u003cspan\u003e French, English\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e\u003cspan\u003e 136 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eCINÉMAS DE TRAVERSE (PARTIE 1) \u003c\/strong\u003e(2009) 40'\u003cbr\u003e\u003cstrong\u003eCINÉMAS DE TRAVERSE (PARTIE 2) \u003c\/strong\u003e(2009) 49'\u003cbr\u003e\u003cstrong\u003eCINÉMAS DE TRAVERSE (PARTIE 3) \u003c\/strong\u003e(2009) 47'\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBONUS INTERVIEWS\u003c\/strong\u003e: Ben Rivers, Peter Tscherkassky, Martha Colburn, Friedl Kubelka, Siegfried Fruhauf,\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThis journal was made between 2005 and 2009 on four continents. It is a subjective journey through experimental approaches and procedures to show the scope of this research and pay tribute to filmmakers who contribute to the history of cinema: Jonas Mekas (USA), Peter Kubelka (Austria), Boris Lehman (Belgium), Joseph Morder (France), Peter Tscherkassky (Austria) and Guy Sherwin (UK), among many others. These alternative paths lead us to production sites and distribution networks created specifically for experimental films.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003eCinémas de Traverse\u003c\/em\u003e fills a void and functions like maps: it provides lines of measurement and orientation; it is up to us to discern the intensities of what continues to be created in this continent still so little explored by documentary cinema.\"\u003cbr\u003e— Gabriela Trujillo, writer and researcher\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"The essay by Devaux and Amarger highlights the practical and intellectual resources, questions the citizen-practitioners of this 'new Republic,' by setting out, subjectively, to the four corners of the world, on the trail of experimental cinema.\"\u003cbr\u003e— Raphaël Bassan, film critic and historian\u003ca href=\"https:\/\/vimeo.com\/ondemand\/cdt\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Frédérique Devaux, Michel Amarger","offers":[{"title":"Default Title","offer_id":56788847624523,"sku":"SQ5418118","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_devaux-cinemas-de-traverse-vod.webp?v=1773411276"},{"product_id":"cinex-1-4-vod","title":"Cinexpérimentaux 1-4","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format\u003cstrong\u003e\u003cspan\u003eHD, 16mm, Super 8\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e\u003cspan\u003e 1988-2020\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e\u003cspan\u003e French\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eFrédérique Devaux, Michel Amarger\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 188 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eCINEXPÉRIMENTAUX 1 MARTINE ROUSSET \u003c\/strong\u003e(2000) 13'\u003cbr\u003e\u003cstrong\u003eCINEXPÉRIMENTAUX 2 NICOLAS REY \u003c\/strong\u003e(2000) 14'\u003cbr\u003e\u003cstrong\u003eCINEXPÉRIMENTAUX 3 VIVIAN OSTROVSKY \u003c\/strong\u003e(2000) 13'\u003cbr\u003e\u003cstrong\u003eCINEXPÉRIMENTAUX 4 PIP CHODOROV \u003c\/strong\u003e(2000) 13'\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eVIVIAN OSTROVSKY - NIKITA KINO \/ EN \u003c\/strong\u003e(2020) 42'\u003cbr\u003e\u003cstrong\u003eVIVIAN OSTROVSKY - NIKITA KINO \/ FR \u003c\/strong\u003e(2020) 42'\u003cbr\u003e\u003cstrong\u003eMARTINE ROUSSET - MANSFIELD K \u003c\/strong\u003e(1988) 17'\u003cbr\u003e\u003cstrong\u003eMARTINE ROUSSET - HOTEL TURKOMAN \u003c\/strong\u003e(2002) 11'\u003cbr\u003e\u003cstrong\u003ePIP CHODOROV - CHARLEMAGNE 2: PILTZER \u003c\/strong\u003e(2002) 22\u003cstrong\u003e'\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"The vigor of contemporary experimental cinema prompted us to meet and film, since the beginning of 2000, filmmakers, distributors, and heads of organizations particularly active in this art. Thus was born a series of portraits, autonomous, composing a significant ensemble of the plurality of approaches and practices in experimental cinema. We produce it independently, as an introduction or complement to the work of artists, technicians, and distributors who participate in the life of contemporary research cinema.\"\u003cbr\u003e— Frédérique Devaux \u0026amp; Michel Amarger\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFrédérique Devaux and Michel Amarger have been making experimental films and documentaries since 1980. Frédérique Devaux is a film critic and teacher. Michel Amarger is a journalist specializing in cinema at RFI.\u003ca href=\"https:\/\/vimeo.com\/ondemand\/cinex14\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Frédérique Devaux, Michel Amarger","offers":[{"title":"Default Title","offer_id":56788847722827,"sku":"SQ6333480","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_devaux-cinex-1-4-vod.webp?v=1773411277"}],"url":"https:\/\/re-voir.com\/en\/collections\/films.oembed?page=4","provider":"Re:Voir","version":"1.0","type":"link"}