{"title":"Books","description":"\u003cp\u003eA curated selection of essential books on experimental cinema and its history: essays, theory, interviews, journals, and catalogues in French and English.\u003c\/p\u003e","products":[{"product_id":"2-13pm-matkormano-bande-originale","title":"Matkormano","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eabout\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eVinyl edition of the original soundtrack for the film \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eMatkormano.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e2 : 13PM is the atmospheric research laboratory of harsh noise musician Eric Duriez (Psôm, Sperme Noir, Prozack Maurice) and sonic explorer Julien Louvet (The Austrasian Goat, Gouffre, Malaïse, Bras Mort, 213 Records and Replica Records, among others), a laboratory they use to give shape to their most haunted nightmares.\u003cbr\u003eThe original soundtrack they composed for the documentary film \u003cstrong\u003e\u003cem\u003eMatkormano\u003c\/em\u003e\u003c\/strong\u003e is an insane ode to the misty beauty of darkness that we recommend listening to in the dead of night, when spirits are free to converse.\u003c\/p\u003e\u003cp style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cem\u003eMatkormano\u003c\/em\u003e\u003c\/strong\u003e, a film by Julien Louvet and Fabien Rennet France, 2015, B\u0026W, 32 min, French with English subtitles.\u003c\/p\u003e\u003cp style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn the village of Marsal (France), he was called \"the mage\" or more familiarly Matkormano. In 1950, Maurice Gérard began an initiatory journey through Iran, India, Egypt and Hawaii. Upon his return to France, his alchemical work enabled him to transmute matter and create a statuette capable of speaking and predicting the future. But in November 1968, as his powers began to earn him growing popularity, his statuette was stolen and his two sons were kidnapped.\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVinyl edition of 500 with link to download the film in HD quality\u003c\/p\u003e\u003cp style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eRelease\u003cbr\u003eApril 7, 2017\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"2:13 PM","offers":[{"title":"Default Title","offer_id":56788818788683,"sku":"SQ4416323","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/Matkormano.webp?v=1773411172"},{"product_id":"across-time-nudes-and-standing-stones","title":"Across Time : Nudes and Standing Stones","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRobert Haller, Themis Veleni, Dr. Polyxeni Adam-Veleni\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e paperback book\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eYear \u003c\/span\u003e\u003cstrong\u003e2013\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEnglish, Greek\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ePages \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e64 pages\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eRobert Haller, photographer and director of Anthology Film Archives in New York, presents a book of his photographs, a project spanning the last 30 years, based on his research. The book presents the parallel narrative of two often contrasting themes: nudity and landscape. The human body as a marker of the passage of time converses with the megaliths of Stanton Drew in England, a cultural monument standing as witness to a distant past. Both organic forms indicate human presence. Robert Haller manipulates the human body as a living monument and approaches both subjects as sites of concentration for projections of our inner world, our desires and our memories.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThessaloniki, Greece: Archaeological Museum of Thessaloniki, 1st edition. c.2013. paperback 8vo. 64pp. black and white photos\u003c\/p\u003e","brand":"Robert Haller, various","offers":[{"title":"Default Title","offer_id":56788818821451,"sku":"SQ1423313","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/acc.webp?v=1773411174"},{"product_id":"agir-le-cinma-crits-sur-le-cinma-exprimental-1979-2020","title":"Agir le cinéma – Écrits sur le cinéma expérimental (1979-2020)","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYann Beauvais\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e‍ \u003cspan\u003e17 x 24 cm (softcover)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2022\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 976 pages\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAn anthology of the numerous theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais, alongside his films and his activities as programmer and exhibition curator, published in journals, catalogues, or collective works, in French, English, Portuguese, German, etc.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eBringing together texts published since 1979, this book presents an impressive cartography of experimental cinema, past and present. It traces the history of its authors and venues, examines the work of light, space, editing, and sound, questions projection conditions and narrative forms. It explores found footage and sampling, film diary practices, LGBT and queer cinema, and the musical. It engages in dialogue with filmmakers in France, England, Germany, and North America, but also in Taiwan, Brazil, Central and Balkan Europe, etc. Throughout its pages, it above all demonstrates the vitality of film as an aesthetic and political practice capable of challenging both artistic and social forms.\u003cbr\u003e\u003cbr\u003e\"This imposing and necessary book initiates new questions and perspectives. It constitutes a rich testimony from those who persist in transforming our ways of seeing.\"\u003cbr\u003eMildred Durán Gamba, \u003cem\u003eCritique d'art\u003c\/em\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eEdited and introduced by Antoine Idier.\u003cbr\u003eAfterword by Jean-Damien Collin.\u003cbr\u003e\u003cbr\u003eISBN: \u003cspan\u003e978-2-37896-269-2\u003c\/span\u003e\u003cbr\u003eEAN: \u003cspan\u003e978237896269\u003c\/span\u003e\u003c\/p\u003e","brand":"yann beauvais","offers":[{"title":"Default Title","offer_id":56788819345739,"sku":"SQ2635511","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/agir_beauvais_livre_recto.webp?v=1773411175"},{"product_id":"alain-jouffroy-labolition-de-lart","title":"L'Abolition de l'art","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Alain Jouffroy\u003c\/strong\u003e\u003cbr\u003eYear \u003cstrong\u003e2011\u003c\/strong\u003e\u003cbr\u003eLanguage(s) \u003cstrong\u003eFrench\u003c\/strong\u003e\u003cbr\u003ePages \u003cstrong\u003e96 pages\u003c\/strong\u003e\u003cbr\u003ePublisher \u003cstrong\u003eImpeccables\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDescription\u003c\/h4\u003e\u003cp class=\"\" style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFirst published in February 1968 under the auspices of the Claude Givaudan gallery, \u003cem\u003eL'Abolition de l'art\u003c\/em\u003e is one of the most emblematic texts among those prefiguring May 68, but also in Alain Jouffroy's reflection on art. Accompanied here, for the first time, by the eponymous film made in its wake, and by two texts that redistribute its stakes (\"Que faire de l'art?\", written in August 1968, and \"Le futur abolira-t-il l'art?\", written in 1970), the propositions of \u003cem\u003eL'Abolition de l'art\u003c\/em\u003e now present themselves as an autonomous ensemble whose inaugural scope Alain Jouffroy expressed in these terms: \"It is at the moment when, before a work, we forget that it belongs to art, at the moment when the method of execution arouses in the spectator a method of meditation—a series of acts organized by thought—that we are truly confronted with ourselves, with fire. 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This voluminous work is enriched with a wide range of photographic documents and film stills, all offering a vivid glimpse into her multifaceted and multidisciplinary artistic practice.\u003cbr\u003e\u003cspan\u003eEdition of 300\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAtoosa Pour Hosseini\u003c\/strong\u003e (born 1981) is an Iranian-Irish filmmaker and visual artist based in Dublin, Ireland. Her works are influenced by historical avant-garde cinema and explore questions of illusion, reality, and perception through the mediums of film, performance, and installation. She is co-director of the Experimental Film Society. Atoosa Pour Hosseini's work has been presented in numerous cinemas, galleries, museums, and festivals worldwide, including at the Irish Museum of Modern Art, the Irish Film Institute, the Temple Bar Gallery in Dublin, Jeu de Paume in Paris, the Museum of the Moving Image in New York, Kino Moviemento in Berlin, the LUFF festival in Switzerland, and the Museum of Contemporary Art in Tehran. Her work is part of the national collection and the international institute as well as private collections. 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Mira (Composition from the film Mira Corpra) 27:34\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e2. Concerto pour Aloual 20:10\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e3. 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It began as a response to a question about collaboration and mutual inspiration between him and his wife, Jane, and developed into perhaps the most complex discussion of the films Brakhage had made up to that point.\u003c\/span\u003e\u003c\/p\u003e","brand":"P. Adams Sitney","offers":[{"title":"Default Title","offer_id":56788831404363,"sku":"SQ5383255","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier01-Brakhage-sitney.webp?v=1773411244"},{"product_id":"cahier-n-10-p-gioli-selon-mon-oeil-de-verre","title":"Cahier N° 10 : Selon mon oeil de verre","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Paolo Gioli\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2003\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French, Italian\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 40 pages\u003cbr\u003e\u003c\/strong\u003ePublisher\u003cstrong\u003e Paris Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn \"Writings on Cinema\", Paolo Gioli discusses his films and \"his way of working film and with film\" (P. Gioli).\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eS. Luginbuehl writes about P. Gioli, his style and his ideas.\u003cbr\u003ePaolo Gioli's biography was written by S. Luginbuehl.\u003c\/p\u003e","brand":"Paolo Gioli","offers":[{"title":"Default Title","offer_id":56788831469899,"sku":"SQ3015133","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier10-Gioli.webp?v=1773411246"},{"product_id":"cahier-n-11-cecile-fontaine-decoller-le-monde","title":"Cahier N° 11 : Cécile Fontaine - Décoller le monde","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Stefano Masi\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e paperback\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2003\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 40 pages\u003cbr\u003e\u003c\/strong\u003ePublisher \u003cstrong\u003eParis Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eA master of found footage recovery and the film lifting technique—a method she perfected that involves peeling away, manipulating, and transferring images from one medium to another—Cécile Fontaine is one of the most important representatives of experimental cinema in the 1980s and 90s.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eStefano Masi's meticulous description of the films and processes invented by the filmmaker draws us into the dizzying creativity of Cécile Fontaine, at the boundaries of dream, politics, and play, where plastic intensity vies for primacy with formal invention.\u003cbr\u003eFollowed by an annotated filmography.\u003c\/p\u003e","brand":"Cécile Fontaine","offers":[{"title":"Default Title","offer_id":56788831633739,"sku":"SQ7408430","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier11-Fontaine.png?v=1773411248"},{"product_id":"cahier-n-12-sur-le-sang-dun-poete","title":"Cahier N° 12 - Sur Le Sang d'un Poète","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAuthor(s)\u003c\/strong\u003e Jean Cocteau\u003cbr\u003e\u003cstrong\u003eArtist(s)\u003c\/strong\u003e Jean Cocteau, Sacha Masour, Dominique Noguez, Alain Virmaux\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e livre broché, 22 x 17 cm\u003cbr\u003e\u003cstrong\u003eYear\u003c\/strong\u003e 2003\u003cbr\u003e\u003cstrong\u003eLanguage(s)\u003c\/strong\u003e French\u003cbr\u003e\u003cstrong\u003ePages\u003c\/strong\u003e 36 pages\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e Paris Expérimental\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eTexts by Jean Cocteau\u003cbr\u003ePreface by Dominique Noguez – Afterword by Alain Virmaux\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThis notebook gathers the principal writings, texts and interviews by Jean Cocteau on \u003cem\u003eLe Sang d'un Poète\u003c\/em\u003e. In these inspired texts, Cocteau constantly evokes the \"descent into oneself\" that this film—unique in his filmography—represented, the only film for which he admits having been \"totally free,\" thus holding it up as an example for future generations. With a text and 6 production photographs by Sacha Masour, previously unpublished. Accompanied by two texts written specifically for this occasion by Dominique Noguez, writer, and Alain Virmaux, film historian.\u003c\/p\u003e","brand":"Jean Cocteau, Dominique Noguez","offers":[{"title":"Default Title","offer_id":56788831666507,"sku":"SQ3101357","price":9.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier12-Cocteau.webp?v=1773411248"},{"product_id":"cahier-n-13-1967-1969-le-cafe-cinma","title":"Cahier N° 13 : 1967-1969 Le café-cinéma","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor \u003cstrong\u003eMaurice Lemaître\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2003\u003cbr\u003e\u003c\/strong\u003eLanguage\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 36 pages\u003cbr\u003e\u003c\/strong\u003ePublisher \u003cstrong\u003eParis Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDescription\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn the late 1960s, Maurice Lemaître emerged as a precursor by running a film club where numerous avant-garde films, then invisible, were screened alongside his own, from Man Ray to Germaine Dulac via Len Lye or Ian Hugo. During the same period, he conceived and directed eight \"Lettrist\" films, true cinematic gems, which placed him among the major artists of his time.\u003c\/p\u003e","brand":"Maurice Lemaître","offers":[{"title":"Default Title","offer_id":56788831732043,"sku":"SQ6544371","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier13-Lemaitre-films.webp?v=1773411248"},{"product_id":"cahier-n-15-ombre-blanche-lumiere-noire","title":"Cahier N° 15 : Ombre blanche - Lumière noire","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s) \u003cstrong\u003eEugène Deslaw\u003cbr\u003e\u003c\/strong\u003eOriginal format\u003cstrong\u003e softcover\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2004\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 38 pages\u003cbr\u003e\u003c\/strong\u003ePublisher \u003cstrong\u003eParis Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDescription\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eCollection of texts by E. Deslaw, a little-known filmmaker of Ukrainian origin, most of which were published in magazines and newspapers between the late 1930s and 1950s, supplemented by a set of articles and reviews on his cinema. Published on the occasion of the first retrospective in France of his work at the Musée national d'art moderne du Centre Georges Pompidou.\u003c\/span\u003e\u003c\/p\u003e","brand":"Eugène Deslaw","offers":[{"title":"Default Title","offer_id":56788831764811,"sku":"SQ4012142","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier15-Deslaw.webp?v=1773411249"},{"product_id":"cahier-n-16-loin-du-vietnam","title":"Cahier N° 16 : Loin du Vietnam","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Laurent Véray\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e softcover\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2004\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages \u003cstrong\u003e64 pages\u003cbr\u003e\u003c\/strong\u003ePublisher\u003cstrong\u003e Paris Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eA response to the alienation of dominant discourse and the simplistic use of images, this multiple, protean work—yet highly coherent in its totality—is an enclave in the history of protest cinema.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe experimental apparatus on which this film rests—mobilizing a large number of collaborators (filmmakers, actors, writers, journalists, technicians...) around Chris Marker throughout 1966—fully demonstrates that political concerns are not incompatible with aesthetic questions.\u003c\/span\u003e\u003c\/p\u003e","brand":"Laurent Véray","offers":[{"title":"Default Title","offer_id":56788831830347,"sku":"SQ2671678","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier16-Vietnam.webp?v=1773411250"},{"product_id":"cahier-n-17-norman-mclaren-le-silence-de-promthee","title":"Cahier N° 17 : Norman McLaren - Le silence de Prométhée","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Raphaël Bassan\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e softcover\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2004\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 30 pages\u003cbr\u003e\u003c\/strong\u003ePublisher\u003cstrong\u003e Paris Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eMcLaren's name is almost mythical. The first experimental animation filmmaker, he seems to be one of the rare avant-garde artists to have won the sympathy of non-specialists. The historical genesis of his research, his aesthetic eclecticism, and his philosophical and social conceptions illuminate, from within, the complexity of his work...\u003c\/span\u003e\u003c\/p\u003e","brand":"Norman McLaren","offers":[{"title":"Default Title","offer_id":56788831895883,"sku":"SQ5452326","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier17-McLaren.webp?v=1773411251"},{"product_id":"cahier-n-18-metrobarbesrochechou-art","title":"Cahier N° 18 : Métrobarbèsrochechou Art","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Gaël Badaud, Teo Hernandez, Jakobois, Michel Nedjar\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e paperback\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2005\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages \u003cstrong\u003e32 pages\u003cbr\u003e\u003c\/strong\u003ePublisher \u003cstrong\u003eParis Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eIn the early 1980s, this collective of artists invented a style of film made with four hands, where each protagonist is also a filmmaker. An unpublished interview with the members of this group \"with an affective as much as informal structure\" precedes a detailed analysis of their film productions.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gaël Badaud, Teo Hernandez, various","offers":[{"title":"Default Title","offer_id":56788831961419,"sku":"SQ2282467","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier18-Mbra.webp?v=1773411253"},{"product_id":"cahier-n-19-avant-toute-nouvelle-interview","title":"Cahier N° 19 : Avant toute nouvelle interview","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor \u003cstrong\u003eMaurice Lemaître\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2005\u003cbr\u003e\u003c\/strong\u003eLanguage\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 38 pages\u003cbr\u003e\u003c\/strong\u003ePublisher \u003cstrong\u003eParis Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDescription\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAn emblematic figure of Lettrism, Maurice Lemaître looks back here at the historic years of the movement's founding, his encounter with his friend Isidore Isou, and his first works in the fields of poetry, the novel, painting, and cinema.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFrom his first article, written for Le Corbusier's magazine L'Homme et l'Architecture, to the pages of his metagraphic novel \u003cem\u003eCanailles\u003c\/em\u003e (1950), by way of the Libertaire survey on Céline, the first issues of his legendary magazine Ur or his newspaper Front de la Jeunesse, Lemaître responds to his interlocutors' questions and also revisits the circumstances surrounding the making of Isou's \u003cem\u003eTraité de Bave et d'éternité\u003c\/em\u003e and his own film \u003cem\u003eLe Film est déjà commencé ?\u003c\/em\u003e His relationships with Tristan Tzara and the Surrealists, as well as his advocacy for the Futurist Russolo and the Dada manifestos, round out a collection in which the question of his patronymic is also clarified.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eOpening the Cahier is an important text, circulated in the sixties, which synthesizes the successive contributions of his first two films: \u003cem\u003eLe Film est déjà commencé ?\u003c\/em\u003e (1951) and \u003cem\u003eUn Soir au cinéma\u003c\/em\u003e, followed by \u003cem\u003ePour faire un Film\u003c\/em\u003e (1962-63).\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eNumerous period photographs and documents, almost all previously unpublished, enrich and illustrate this issue.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAn essential work for grasping the historical, aesthetic, and political dimensions of Maurice Lemaître's oeuvre on the one hand, and of Lettrism on the other, as a radical avant-garde movement.\u003cbr\u003e\u003c\/p\u003e","brand":"Maurice Lemaître","offers":[{"title":"Default Title","offer_id":56788832026955,"sku":"SQ0883865","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier19-Lemaitre-interview.webp?v=1773411253"},{"product_id":"cahier-n-20-les-20-ans-de-paris-experimental-1985-2005","title":"Cahier N° 20 : Les 20 ans de Paris Expérimental 1985-2005","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Christian Lebrat\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e paperback\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2005\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 37 pages\u003cbr\u003e\u003c\/strong\u003ePublisher\u003cstrong\u003e Paris Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eIn these three interviews, published respectively in the magazines Bref, Area and Archistorm and gathered here for the occasion, Christian Lebrat revisits the history and stakes of Paris Expérimental editions. Since their creation in 1985, the editions have published some forty books, reference works and documents, which today give visibility and theoretical existence to \"experimental cinema\".\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis is followed by a chronology of events retracing the main activities of Paris Expérimental (editions and events). The whole is accompanied by previously unpublished iconography.\u003c\/span\u003e\u003c\/p\u003e","brand":"Christian Lebrat","offers":[{"title":"Default Title","offer_id":56788832125259,"sku":"SQ1816858","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier20-20ans.webp?v=1773411254"},{"product_id":"cahier-n-21-andy-warhol-the-cinema-as-mental-braille","title":"Cahier N° 21 : Andy Warhol","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Patrick de Haas\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e2005\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003eEnglish, French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 64 pages\u003cbr\u003e\u003c\/strong\u003ePublisher\u003cstrong\u003e Paris Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eWhile Andy Warhol is a name that has achieved far more than 15 minutes of fame, certain aspects of his work, particularly his cinema, remain poorly understood. \u003cbr\u003eWarhol's films nevertheless profoundly disrupted a certain type of knowledge and behavior towards cinema. But the innovative and radical elements of Warhol's films (long-duration fixed shots, \"real time\", rawness of sexual representations...) can only be fully understood if they are approached in relation to the overall attitude that generates the entirety of the artist's activity: his painting as well as his films. Thus, questions of dandyism, the assertion of indifference, the attraction to surface, the voyeuristic impulse, are some of the \"keys\" that allow for a more precise analysis of the play with stardom, the fascination with Hollywood, the singularity of editing, and the strange relationships maintained with the machine and language.\u003cbr\u003ePainting and cinema are therefore studied here in their common mental context. And the historical position of Warhol's films is illuminated by highlighting the connections with the films and thoughts of Duchamp, Man Ray, Picabia, Léger...\u003c\/span\u003e\u003c\/p\u003e","brand":"Patrick de Haas","offers":[{"title":"Default Title","offer_id":56788832158027,"sku":"SQ0336781","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier21-Warhol.webp?v=1773411256"},{"product_id":"cahier-n-22-enoncer-un-public","title":"Cahier N° 22 : Énoncer un public","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAuthor(s)\u003c\/strong\u003e Dojo Cinéma\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e softcover\u003cbr\u003e\u003cstrong\u003eYear\u003c\/strong\u003e 2006\u003cbr\u003e\u003cstrong\u003eLanguage(s)\u003c\/strong\u003e French\u003cbr\u003e\u003cstrong\u003ePages\u003c\/strong\u003e 22 pages\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e Paris Expérimental\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFollowing in the footsteps of Godard and Debord, the members of Dojo cinéma have been making films since 2002. Drawing their materials from philosophy and politics, they place the question of the audience at the heart of their approach. Their work of reflection and analysis and their daily practice of cinema result in films that also and above all strike by their visual power. Reuse, collage, editing, sound and visual effects serve a highly structured discourse.\u003cbr\u003e\u003cbr\u003eThis Cahier, a creation in its own right by Dojo cinéma, is the graphic transposition of the film of the same name. It is an equivalent of the film in book form. It is accompanied by a complete and annotated filmography.\u003c\/p\u003e","brand":"Dojo Cinéma","offers":[{"title":"Default Title","offer_id":56788832321867,"sku":"SQ0702211","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier22-Dojo.webp?v=1773411255"},{"product_id":"cahier-n-23-p-adams-sitney-le-film-structurel","title":"Cahier N° 23 : Le film structurel","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e P. Adams Sitney\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2006\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 32 pages\u003cbr\u003e\u003c\/strong\u003ePublisher\u003cstrong\u003e Paris Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe article by P. 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Adams Sitney","offers":[{"title":"Default Title","offer_id":56788833173835,"sku":"SQ0703473","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier23-film-structurel.webp?v=1773411256"},{"product_id":"cahier-n-24-entretiens-avec-jonas-mekas","title":"Cahier N° 24 : Entretiens avec Jonas Mekas","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s) \u003cstrong\u003eJérome Sans, Morgan Boëdec, Léa Gauthier\u003c\/strong\u003e\u003cbr\u003eFormat \u003cstrong\u003esoftcover\u003c\/strong\u003e\u003cbr\u003eYear \u003cstrong\u003e2006\u003c\/strong\u003e\u003cbr\u003eLanguage \u003cstrong\u003eFrench\u003c\/strong\u003e\u003cbr\u003ePages \u003cstrong\u003e40 pages\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDescription\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eIn these 3 recent interviews, Jonas Mekas reflects on his journey in New York as well as on his Film Diary, Lithuania, Nature, film criticism, Soho, Fluxus, technical imperfections, editing, Warhol, Dali, and the Kennedy family…\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlso evoking the film tableaux that mark his emergence in the international art circuit (galleries-exhibitions-installations). Mekas the poet doesn't forget to point out that \"it's by chance that the best things happened in my life.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Jonas Mekas","offers":[{"title":"Default Title","offer_id":56788833501515,"sku":"SQ6234832","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier24-Mekas-entretiens.webp?v=1773411257"},{"product_id":"cahier-n-25-cinema-et-abstraction","title":"Cahier N° 25 : Cinéma et abstraction","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Raphaël Bassan\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e paperback\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2007\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 35 pages\u003cbr\u003e\u003c\/strong\u003ePublisher \u003cstrong\u003eParis Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eOUT OF PRINT\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThis notebook is published on the occasion of the program: CONTEMPORARY ABSTRACT CINEMA: CARTE BLANCHE TO RAPHAËL BASSAN. Presented at Cinéma La Clef, in Paris, on Wednesday, May 30, 2007. As part of the Monthly Wednesdays of Collectif Jeune Cinéma (dir. Stéphane Marti). Journalist, filmmaker, and co-founder of the cooperative Collectif Jeune Cinéma, which replaced, in 1971, the homonymous structure founded the previous year by Marcel Mazé, Raphaël Bassan has participated, for some thirty years, through his countless articles, interviews, and theoretical texts in numerous specialized journals, in the defense, promotion, and visibility of experimental cinema.\u003c\/p\u003e","brand":"Raphaël Bassan","offers":[{"title":"Default Title","offer_id":56788834222411,"sku":"SQ7825566","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier25-Bassan.webp?v=1773411259"},{"product_id":"cahier-n-6-loeil-pinal-pour-une-cingraphie","title":"Cahier n° 6 L'oeil pinéal pour une cinégraphie","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAndré Almuró\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e softcover book\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 2002\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003eFrench\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e‍ 28 pages\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eA proponent of a cinema that rejects all speech, of a haptic cinema rooted in homosexual orgasmic experience, without introspection or exhibitionism, André Almuró, composer of electro-acoustic music and unconditional cinephile turned practitioner, delivers in this manifesto-text the keys to his paroxystic cinema: \"filmic entelechy\" and \"naked thought\".\u003c\/p\u003e","brand":"André Almuro","offers":[{"title":"Default Title","offer_id":56788834287947,"sku":"SQ0782397","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/c6.webp?v=1773411259"},{"product_id":"cahier-n5-entendre-voir-mots-par-page-filmographie","title":"Cahier n°5 : Entendre voir \/ mots par page \/ filmographie","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003ePaul Sharits\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e softcover book\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 2002\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e English\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 35 pages\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eA member of Fluxus, structural filmmaker, and master of the flicker film, P. Sharits (1943-1993) is also one of cinema's great colorists. His film work is accompanied by theoretical reflection on the ontological aspects of cinema, work on filmic matter, and exploration of the psyche.\u003c\/p\u003e","brand":"Paul Sharits","offers":[{"title":"Default Title","offer_id":56788834615627,"sku":"SQ6797049","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier05-Sharits.webp?v=1773411259"},{"product_id":"ccmc-michael-snow-et-al-decisive-moments","title":"Decisive Moments: Hot Real-Time Electro-Acoustic Collective Composition","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eabout\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eCCMC. \"Free music orchestra\" formed in 1974 in Toronto under the name Canadian Creative Music Collective. By 1978, only the acronym was still in use. Defining itself as \"an ensemble of composers [...] united by the desire to play fluid, spontaneous and self-regulated music,\" CCMC, through its instrumentation, the backgrounds of several of its founders, and the improvised nature of its music, initially aligned itself with the free jazz community.\u003c\/p\u003e\u003cp style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIts original members were Peter Anson (guitar, then synthesizer), Graham Coughtry (trombone), Larry Dubin (percussion), Greg Gallagher (saxophones), Nobuo Kubota (saxophones), Allan Mattes (bass, bass guitar, electronics), Casey Sokol (piano); Bill Smith (saxophones); and Michael Snow (piano, trumpet, guitar, analog synthesizer). Gallagher, Coughtry and Smith left the group in 1976-1977, Dubin died in 1978 and Anson left in 1979. The remaining quartet was joined by drummer John Kamevaar in 1981. Sokol left the group in 1988, Kubota in 1991 and Damevaar and Mattes in 1994. Singer Paul Dutton joined the group in 1989, followed by John Oswald (alto saxophone) in 1994. CCMC moved toward improvised electroacoustic music: by 1990, the instrumentation included a guitar-synthesizer and double bass (Mattes), a wind synthesizer (Kubota), magnetic tapes and live electronic sampling (Kamevaar), voices (Dutton and Kubota) and a piano (Snow).\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eLabel: Track \u0026amp; Light Recordings\u003cspan\u003e – TLR 02\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eRunning time: 72 min.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat: CD\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDate: 1994\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eGenre: Electronic, Jazz\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eStyle: Free Improvisation, Experimental\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eTracklist: \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e1 - What's The Head For This One? 10:38\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2 - Suddenly 9:363\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 - Ain't Misbehavin All The Way 7:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - Walls 6:05 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - Sliced Cat 5:09\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 - Last Night I Barked 14:18 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 - Better Than Beethoven Is Better Than Better Than 5:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 - A Minor Electrical Problem 10:52 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9 - How It Seemed At The Time 3:13\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003c\/p\u003e","brand":"Canadian Creative Music Collective","offers":[{"title":"Default Title","offer_id":56788834746699,"sku":"SQ0166556","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/CCMC_Decisive.webp?v=1773411260"},{"product_id":"chez-peter-vienne-le-20-juin-2016","title":"Chez Peter - Vienne, le 20 juin 2016","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s) \u003cstrong\u003eChristian Lebrat \u003c\/strong\u003e\u003cbr\u003eYear \u003cstrong\u003e2017\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e French\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eFormat \u003cstrong\u003e19 x 22 cm\u003c\/strong\u003e\u003cbr\u003ePages \u003cstrong\u003e72 pages + 1 audio CD\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis book is a document. It is the account in images of an evening spent at the home of artist Peter Kubelka, in Vienna, on June 20, 2016. Kubelka, in the company of Luise, his wife, had invited a few friends, including photographer Heinz Cibulka and filmmaker Jonas Mekas, who came with his son Sebastian, specifically for the purpose of filming the evening.\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eI was there somewhat by chance, having learned only a few days earlier that I would be going to Vienna. Armed with my iPad, I photographed the different episodes of the evening. It was only later, back in Paris, that I realized these images bore witness to a unique moment spent in the company of one of the most singular thinkers of our time.\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn the intimacy of his apartment, transformed into a laboratory of objects, Peter Kubelka, while preparing a succulent meal, presents his collection and holds forth on the uses and metaphorical interpretations of objects from different civilizations and eras.\u003c\/p\u003e","brand":"Christian Lebrat","offers":[{"title":"Default Title","offer_id":56788838416715,"sku":"SQ1488316","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Couverture_Kubelka.webp?v=1773411266"},{"product_id":"chris-kennedy-8-affinities-jaap-pieters-john-porter","title":"8 Affinities : Jaap Pieters \u0026 John Porter","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003eChris Kennedy\u003cbr\u003e\u003c\/strong\u003eFormat \u003cstrong\u003e\u003cspan\u003ebook\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2015\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e English\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 96 pages\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAmsterdam-based Jaap Pieters and Toronto native John Porter are two of the most prolific Super 8mm filmmakers currently working. Pieters has been making films in Super 8mm since the early 1980s and Porter since 1968. Both are considered important, if perhaps eccentric, members of the local film scene. 8 AFFINITIES, edited by Chris Kennedy, brings them together in a lengthy candid conversation about their filmmaking, shared interests, and divergent practices.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003c\/p\u003e","brand":"Chris Kennedy","offers":[{"title":"Default Title","offer_id":56788840153419,"sku":"SQ3354225","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/510LUCH18iL._SL1360.webp?v=1773411267"},{"product_id":"christian-lebrat-matins-calmes","title":"Matins Calmes","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003eChristian Lebrat\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e softcover book\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eYear \u003c\/span\u003e\u003cstrong\u003e2023\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003eFrench, \u003cspan\u003eEnglish\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ePages \u003c\/span\u003e\u003cstrong\u003e160\u003cspan\u003e pages\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Christian Lebrat only spent ten days in Korea, but the photographer's eye did not waste its time. \u003cbr\u003eA very personal journey, which ignores neither tourism nor the picturesque, but keeps them at a distance, \u003cbr\u003ethrough intelligence and sensitivity.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eJacques Aumont, September 27, 2023\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eChristian Lebrat's impressions of a \"calm morning\" actually document the turbulent currents of a society in constant transformation. At the beginning of the book, a political demonstration against North Korea takes place in front of the central palace, peacefully flanked by its mountains. At the time I'm writing these lines, three years later, a picturesque shantytown with disheveled roofs surrounded by skyscrapers, in the city center, has already been demolished in favor of urban gentrification.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eA bustling street full of fried chicken and beer restaurants is today the scene of a fierce demonstration by young Koreans to protect the ancestral house on this street against the predatory chain that has bought all the buildings and is closing down its competitors. But let's stay calm! 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The irony does not escape Lebrat: a display of Buddhist souvenirs faces a garbage sorting site; a seemingly chic hotel advertises in-room massages on its Kleenex boxes; a peaceful lotus pond sits alongside a crisscross of electrical wires above a street teeming with life.\u003cbr\u003eIt is a country of contradictions, particularly between what is visible on the surface (from the city's architecture to the cosmetics and plastic surgery of its citizens) and the deeper tensions of the peninsula's politics and history.\u003c\/p\u003e","brand":"Christian Lebrat","offers":[{"title":"Default Title","offer_id":56788842348875,"sku":"SQ7044626","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/christian_lebrat.webp?v=1773411271"},{"product_id":"cinema-absolu-avant-garde-1920-1930","title":"Cinéma absolu. 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Through writing and reflection, it seeks to approach as closely and accurately as possible the act of cinematic creation: image, sound, time, movement, silence, speech—never taken for granted, constantly to be reinvented. […] […] Central axes emerge, recurring preoccupations circumscribe themes, figures, paths: violence, the margins, the fall, addition or subtraction; the relationship between music and image, between intention and expression, between the artist, their work and the public, between the given experience and its unlimited possibilities… Underpinned by the perpetual concern of \"what filming means,\" the Notes gathered by Marcel Hanoun, like those famous ones by Bresson, are neither precepts nor lessons; more than a meditation on art and creation, they offer the reader, cinephile or not, new spaces for reflection and perception. 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The earliest texts date from 1977, the most recent from 2013. Some writings therefore go back to the time when the author was already contributing to several magazines (Ecran, Canal, Cinéma différent); he felt, intuitively then, that he would never let go. That he would continue his quest (while reporting on films released in theaters) through monographs, filmmaker interviews and, from 1990 onward, by developing reflections on the identity of so-called experimental cinema confronted with the emergence of new media. 1977 is the year the Centre Pompidou opened. The book also offers numerous reviews of events or monographs initiated by this museum. The Cinémathèque française and the forum des images, independent distribution cooperatives and alternative venues have also been present on the experimental front. Through the various texts in this book, one leaves the traditional movie theater and thus engages with a thoroughly contemporary problematic. The reader will find, in Cinéma expérimental. 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Asserting itself against the tendential depoliticization of the use of the notion of materialism, this work is driven by the conviction that the reevaluation of historical materialist thought and the development of contemporary approaches can constitute a salutary way out of the impasses of the post-theoretical era. 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But all it takes is a rainy autumn evening near a big top and the smell of hay for the sadness of clowns, the endless training of animals, and the monsters hiding in some caravan to come back to mind... Cinema, the essence of the circus—movement, light, danger, and burlesque—will have been admirably rendered in \u003cem\u003eNotes on the circus\u003c\/em\u003e by Jonas Mekas (1966), one of the inventors of the film diary. With \u003cem\u003eCirque\u003c\/em\u003e, Michèle Bokanowski accomplishes similar work, entirely dedicated to spinning, in the realm of music.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAfter studying with Pierre Schaeffer and Éliane Radigue, she became known by composing musique concrète works, including \u003cem\u003eTabou\u003c\/em\u003e and \u003cem\u003eTrois chambres d'inquiétudes\u003c\/em\u003e. The latter, a grande dame of drone and minimalism, falls under the spell of the Circus and writes the libretto of the piece as a poem.\u003cbr\u003e\u003cbr\u003eThe work, divided into five movements, is based on the processing and editing of recordings made in one or more circuses (which is not specified and does not matter) between 1988 and 1993. The initial allegro reveals the gallop of a horse progressively joined by other images. The idea of the circular space of the big top is immediately and magnificently rendered and will be constantly recalled through an insistent use of the looping technique. Children's laughter, applause, and drum rolls are thus sheared, repeated before being brutally interrupted. Accordion interludes and sound distortion create a dreamlike atmosphere. This beautiful nightmare reminds us, in the words of Éliane Radigue, of the \"Magic of childhood that still lives in the heart of man beyond its abrupt end.\"\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eWords by Alexandre Galand, excerpted from the book \"Field Recording - L'usage sonore du monde en 100 albums\" (éd. Le mot et le reste, 2012).\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eA major member of the French musique concrète scene, Michèle Bokanowski was born on August 9, 1943 in Cannes, FR, to a musician mother and a writer father. She lives and works in Paris today.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eA music lover since adolescence, it was relatively late, at the age of 22, that Michèle Bokanowski decided to study composition. Reading Pierre Schaeffer's À la recherche d'une musique concrète was decisive. After classical training in harmony, she met Michel Puig, a student of René Leibowitz, who taught her writing and analysis based on Schönberg's Traité. In September 1970, she began a two-year internship at the ORTF research service under the direction of Pierre Schaeffer. She simultaneously participated in a research group on sound synthesis, studied computer music at the Faculté de Vincennes, and electronic music with Éliane Radigue.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eHer main works are intended for concert: \u003cem\u003ePour un pianiste, Trois chambres d'inquiétude, Tabou, Phone Variations, Cirque, L'étoile Absinthe, Chant d'Ombre, Enfance, Rhapsodia, Cadence, Elsewhere\u003c\/em\u003e. She has also composed for theater (with Catherine Dasté), dance (with choreographers Hideyuki Yano, Marceline Lartigue, Bernardo Montet), and cinema: music for Patrick Bokanowski's short films and his two feature films \u003cem\u003eL'Ange\u003c\/em\u003e (1982) and \u003cem\u003eA Solar Dream\u003c\/em\u003e (2016).\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cu\u003eTracklist\u003cbr\u003e\u003c\/u\u003e1. Allegro 12:58\u003cbr\u003e2. Andante 05:11\u003cbr\u003e3. Scherzo 07:56\u003cbr\u003e4. Galop 01:41\u003cbr\u003e5. 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Swarthnas\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e paperback\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 2022\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e English, Swedish\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 343 pages\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eClaes Söderquist (born in 1939 in Stockholm) is a trained artist, then filmmaker, teacher, curator, art consultant and long-time driving force and chairman of the Filmform Foundation (1992-2012). Söderquist has been active as an experimental filmmaker since the early 1960s. The book on Söderquist is the result of many years of conversations and collaborations, which also led the editors to organize screenings of his films nationally and internationally. A shared interest in the history of experimental cinema, where Söderquist's films constitute an unusual contribution in the Swedish context, led them to discuss his work in a broader international context.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe book includes an introduction, two interviews and texts by Nicky Hamlyn, Chris Kennedy, Masha Matzke, Els van Riel and Astrid Söderbergh Widding. It also contains numerous photographic documents.\u003c\/p\u003e","brand":"Martin Grennberger, Daniel A. 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The Gaze of Stephen Dwoskin is the culmination of a three-year research project, The Legacies of Stephen Dwoskin, conducted at the University of Reading, where his archives are preserved. This book is a unique visual synthesis of Dwoskin's life and times, featuring hundreds of previously unpublished images from his archives and texts by Laura Mulvey, Raymond Bellour, Raymond Durgnat, and Dwoskin himself, among others.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eStephen Dwoskin (1939-2012) began his filmmaking career in the New York underground scene in the early 1960s, then moved to London in 1964, where he became a leading figure in avant-garde cinema and one of the founders of the London Filmmakers Co-operative (now LUX). His early works, such as Dyn Amo (1972), are synonymous with the male gaze. Laura Mulvey wrote that he had \"opened up a completely new perspective on cinematic voyeurism\" for her and that his work had strongly influenced her seminal work on the male gaze in cinema. From the mid-1970s onward, he turned his camera on his own body, affected by polio during his childhood, in films such as Behindert (1974) and Outside In (1981).\u003c\/p\u003e","brand":"Laura Mulvey, Raymond Bellour, various","offers":[{"title":"Default Title","offer_id":56788864172363,"sku":"SQ9345752","price":31.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/dwoskino.webp?v=1773411344"},{"product_id":"dziga-vertov-le-cinema-revolution","title":"Dziga Vertov : Le ciné-œil de la révolution","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e Dziga Vertov\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003cstrong\u003e paperback book\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003cstrong\u003e 2017\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s)\u003c\/span\u003e\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003cstrong\u003e 776 pages\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDescription\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDziga Vertov is both famous for his film \u003cem\u003e\u003cspan\u003eThe Man with a Camera\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003c\/span\u003e (1929) and little known, so abundant, multiple, and dispersed is his work. Drawing from a selection of his texts—some previously unpublished, others revised and completed in their translation—accompanied by critical apparatus that situates them within the debates of their time while measuring their contemporary resonances, this book aims to bring Vertovian thought back into circulation in all its complexity.\u003c\/p\u003e\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\" style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eHis attempt to capture \"life caught unawares,\" the \"facts,\" in order to bring forth a \"cinematic truth\" based on the double vision of the \u003cspan\u003eKino-Eye\u003c\/span\u003e and on the analytical power of montage, is traced from the 1910s-1920s through the 1930s-1950s—moving from his pioneering role, in phase with political events, to his progressive marginalization.\u003c\/p\u003e\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\" style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVertov's project, which consisted of seizing the techniques of recording, editing, and broadcasting images and sounds to \"organize\" the sight and hearing of workers and make them participate in the new social order born from the 1917 revolution, finds particular resonance today in the perspective of a \"media theory\" examining the technical articulations of forms of experience and knowledge.\u003c\/p\u003e\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\" style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe volume is enriched with numerous iconographic documents from the Dziga Vertov collection of the \u003cspan\u003eÖsterreichisches Filmmuseum\u003c\/span\u003e in Vienna.\u003c\/p\u003e\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\" style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"A precious compendium, to be recommended or given as a gift to the most demanding cinephiles.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eFrançois Ekchajzer, \u003cem\u003e\u003cspan\u003eTélérama\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Dziga Vertov","offers":[{"title":"Default Title","offer_id":56788864270667,"sku":"SQ7773187","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Dziga_Vertov_-_Le_cine_CC_81-_C5_93il_de_la_re_CC_81volution.webp?v=1773411345"},{"product_id":"e-bullot-renversements-2","title":"Renversements 2","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAuthor(s)\u003c\/strong\u003e Erik Bullot\u003cbr\u003e\u003cstrong\u003eYear\u003c\/strong\u003e 2013\u003cbr\u003e\u003cstrong\u003eLanguage(s)\u003c\/strong\u003e French\u003cbr\u003e\u003cstrong\u003ePages\u003c\/strong\u003e 176 pages\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e Paris Expérimental\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003cbr\u003eWritten between 2000 and 2011, these various texts extend the reflection on cinema and its metamorphoses developed in the previous volume, \u003cem\u003eRenversements 1\u003c\/em\u003e. What is the future of the \"seventh art\"? Has it crossed its own threshold? Is cinema characterized by a kind of indiscipline? Throughout these different investigations, exercises in admiration and discourse on method, cinema shifts, transforms, splits, migrates, following the paradoxical logic of reversal—simultaneously inverted and destructive.\u003c\/p\u003e","brand":"Erik Bullot","offers":[{"title":"Default Title","offer_id":56788864303435,"sku":"SQ7176778","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/renversements2.webp?v=1773411346"},{"product_id":"ecouter-jonas-mekas-diaries","title":"Écouter Jonas Mekas : Diaries","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003eCécile Tourneur, Daniel Deshays\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e paperback book\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eYear \u003c\/span\u003e\u003cstrong\u003e2025\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003eFrench\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ePages \u003c\/span\u003e\u003cstrong\u003e120\u003cspan\u003e pages\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eJonas Mekas exerted a tremendous influence on the history of cinema in the second half of the twentieth century through his activities as a critic, advocate for the New American Cinema, and filmmaker.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eDiaries, Notes and Sketches (Also Known as Walden)\u003c\/em\u003e, his first \"diary film\" completed in 1969, initiates an autobiographical practice that continues until the end of his life. For half a century, Jonas Mekas assembles his filmed and sonic notes. In the editing room, he records his voice and addresses the viewer: he shares his thoughts, quotes from his written diary, and develops narratives freely inspired by mythology. Oral improvisation, reading, and singing are enriched by a reflection on the essence of this cinema that follows the fluctuations of his existence. His accent is that of a man \"who never wanted to leave his home\" and carries the sounds of rural Lithuania mingled with those of New York, his adopted city.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eEcouter Jonas Mekas\u003c\/em\u003e immerses us both in the history shared by so many Europeans exiled after World War II and in the liberating history of underground cinema.\u003c\/p\u003e","brand":"Cécile Tourneur, Daniel Deshays","offers":[{"title":"Default Title","offer_id":56788864401739,"sku":"SQ6418050","price":14.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/jonas_mekas_ecouter.png?v=1773411348"}],"url":"https:\/\/re-voir.com\/en\/collections\/books.oembed","provider":"Re:Voir","version":"1.0","type":"link"}